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A. Ellenius, De Arte Pingendi. Latin art literature in seventeenth-century Sweden an dits international background. Uppsala-Stockholm: , 1960.
H. Ekkehard, Musivgold. Rekonstruktion eines historischen pigments, Restauro, vol. 6, pp. 420-425, 2005.
C. Eggenberger, Les manuscrits à peintures. Remarques et propositions, Gazette du livre médiéval 1, pp. 13-15, 1982.
V. W. Egbert, The Mediaeval artist at work. Princeton: , 1967.
M. F. Edgerton, Jr., A Mediaeval "Tractatus de coloribus". Together with a Contribution to the Study of the Color-vocabulary of Latin, Mediaeval Studies, vol. 25, pp. 173-208, 1963.
S. M. Edelstein, Dyestuffs and dyeing in the XVth Century, Dyestuff Reporter, vol. 52, pp. 2-5, 1963.
S. M. Edelstein, Dyestuffs and tanning leather in the XVth Century, Dyestuff Reporter, vol. 54, pp. 940-944, 1965.
S. M. Edelstein, [Dem Faksimile liegt die bei Peter Jordan in Mainz 1532 gedruckte Ausgabe zugrunde.], Technology & Culture, vol. 5, pp. 297-321, 1964.
G. Ebner and Schelz, D., Textilfärberei und Farbstoffe. Beispiele angewandter organischer Chemie. Berlin, Heidelberg: , 1989.
C. Lock Eastlake, Methods and Materials of Painting of the Great Schools and Masters. New York: Dover Publications, Inc., 1960.
C. L. Eastlake, Materials for a History of Oil Painting. London: , 1847.
W. Eamon, Arcana disclosed: the advent of printing, the books of secrets tradition and the development of experimental science in the sixteenth century, History of science, vol. no. 56; 22, pp. 111-150.
W. Eamon, Studies on Medieval fachliteratur : proceedings of the special session on Medieval Fachlitertur of the Sixteenth International Congress on Medieval Studies, Scripta : Mediaeval and Renaissance texts and studies, 1982.
W. Eamon, Science and the secrets of nature: books of secrets in medieval and early modern culture. 1994.
D. Smet E., Uit het werkboek van de kalligraaf van de Abdij van Waarschoot, Ons Meetjseland, vol. 9, pp. 19-21, 1976.