Bibliography

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E
A. Ellenius, De Arte Pingendi. Latin art literature in seventeenth-century Sweden an dits international background. Uppsala-Stockholm: , 1960.
H. Ekkehard, “Musivgold. Rekonstruktion eines historischen pigments”, Restauro, vol. 6, pp. 420-425, 2005.
C. Eggenberger, “Les manuscrits à peintures. Remarques et propositions”, Gazette du livre médiéval 1, pp. 13-15, 1982.
V. W. Egbert, The Mediaeval artist at work. Princeton: , 1967.
M. F. Edgerton, Jr., “A Mediaeval "Tractatus de coloribus". Together with a Contribution to the Study of the Color-vocabulary of Latin”, Mediaeval Studies, vol. 25, pp. 173-208, 1963.
S. M. Edelstein, “Dyestuffs and dyeing in the XVth Century”, Dyestuff Reporter, vol. 52, pp. 2-5, 1963.
S. M. Edelstein, “Dyestuffs and tanning leather in the XVth Century”, Dyestuff Reporter, vol. 54, pp. 940-944, 1965.
S. M. Edelstein, “[Dem Faksimile liegt die bei Peter Jordan in Mainz 1532 gedruckte Ausgabe zugrunde.]”, Technology & Culture, vol. 5, pp. 297-321, 1964.
G. Ebner and Schelz, D., Textilfärberei und Farbstoffe. Beispiele angewandter organischer Chemie. Berlin, Heidelberg: , 1989.
C. Lock Eastlake, Methods and Materials of Painting of the Great Schools and Masters. New York: Dover Publications, Inc., 1960.
C. L. Eastlake, Materials for a History of Oil Painting. London: , 1847.
W. Eamon, “Arcana disclosed: the advent of printing, the books of secrets tradition and the development of experimental science in the sixteenth century”, History of science, vol. no. 56; 22, pp. 111-150.
W. Eamon, “Studies on Medieval fachliteratur : proceedings of the special session on Medieval Fachlitertur of the Sixteenth International Congress on Medieval Studies”, Scripta : Mediaeval and Renaissance texts and studies, 1982.
W. Eamon, Science and the secrets of nature: books of secrets in medieval and early modern culture. 1994.
D. Smet E., “Uit het werkboek van de kalligraaf van de Abdij van Waarschoot”, Ons Meetjseland, vol. 9, pp. 19-21, 1976.
D
L. J. V. Dunlop, The Use of Colour in Parisian Manuscript Illumination c. 1320-c. 1420 with Special Reference to the Availability of pigments and their Commerce at that Period. Manchester: , 1988.
F. Dufront, “Le bleu et le vert jusqu’au XVIIe siècle”, Université de Poitiers thèse de doctorat inédite, 1989.
L. A. Driessen, “Un livre flamand de recettes de teinture de 1513 et la traduction anglaise de 1583”, Revue générale des matières colorantes, pp. 68-71, 1934.
W. Dressendörfer, Keil, G., and Müller-Jahnke, W. - D., Die oberrheinische Sammelhandschrift des Kodex Berleburg. München: , 1991.
G. Bonfiglio Dosio, Ragioni antique spettanti all´arte del mare et fabriche de vasselli, manoscritto nautico del sec. XV. Venezia: Il comitato editore, 1987, p. 263.
M. Doerner, The Materials of the Artist and their Use in Painting. London: , 1934.
C. R. Dodwell, Theophilus, De Diversis Artibus. The Various Arts. London: , 1961.
L. Dimier, L’art d’enluminer. Traité du XIVe siècle traduit du latin avec des notes tirées d’autres ouvrages anciens et des commentaires. Paris: , 1927.
C. Déroche and Cennini, C., Il libro dell’Arte, traduction critique, commentaries et notes par C. DEROCHE. Paris: , 1991.
M. De Reu and G. Hooydonck, V. & al., “À propos de l’analyse chimique des pigments utilisés dans quelques manuscrits enluminés”, Scriptorium, vol. 53, n°2, pp. 357-372, 1999.