History of technique in the arts, 1500-1950
Bibliography
“Note sur les émulsions des Primitifs flamands”, Bulletin de l’Institut Royal du Patrimoine Artistique, vol. XIV, pp. 133-139.
, Nutzpflanzen in Deutschland. Kulturgeschichte und Biologie. Stuttgart: , 1994.
, “Occurence of textile Red Dyes 1450-1600 AD”, American Dyestuff Reporter, vol. 65 (3), pp. 32-34, 1976.
, “Old Paint Formulae under Close Scrutiny. Saving Mediaeval Book Illuminations”, Reports of the DFG . German Research, vol. 3:91, pp. 24-26, Submitted.
, Original Treatises, Dating from the XIIth to the XVIIIth Centuries, [o]n the Arts of Painting. London: John Murray, Albemarle Street, 1849, p. 918.
, Original Treatises, Dating from the XIIth to XVIIIth Centuries on the Arts of Painting. 2 vols. London: John Murray, Albemarle Street, 1849, p. 918.
, “Original written sources for the history of medieval painting techniques and materials : a list of published texts”, Studies in Conservation, vol. 43, pp. 114-124, 1998.
, “Orpiment und Realgar. Some pigment characteristics”, Maltechnik restauro, vol. 90, pp. 45-47, 1984.
, “Other texts on colours.”, Ambix, vol. 8 (2), pp. 53-70, 1960.
, “Page image recipe databases: a new approach to making art technological manuscripts and rare printed sources accessible”, Art of the Past: Sources and Reconstructions. London, pp. 49-52, Submitted.
, Painter’s colours, oils and varnishes. London: , 1892.
, Painters, Medieval Crafstmen. London: , 1991.
, The Painter’s Methods and Materials. New York: , 1966.
, “Painting materials and techniques. Towards a bibliography of the french literature before 1800”, Feitschrift in honour of Professor Straub, 1990.
, Painting Materials. A Short Encyclopaedia. New York: .
, , “Painting Technique: Priming, Coloured Paint Film and Varnish”, Art History and Laboratory Scientific Examination of Easel Paintings., vol. Pact. 13, pp. 35-62, 1986.
, “Painting techniques in the Boucicaut Hours and in Jacques Coene’s colour recipes as found in Jean Lebègue’s Libri Colorum”, ROY, A. et SMITH, P. (éd.), Painting Techniques : History, Materials and Studio Practice. Contributions to the Dublin Congress 7-11 September 1998. London, pp. 51-54, Submitted.
, “Paradigms and Pigment Recipes : Natural Ultramarine”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 14, pp. 5-14, 2000.
, “Paradigms and Pigment Recipes : Silver and Mercury Blues”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 15, pp. 25-33, 2001.
, “Paradigms and Pigment Recipes : Vermilion, Synthetic Yellows and the Nature of Egg”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 13, pp. 140-149, 1999.
, “Parchment, Painting, Script and Binding: Texts on the Techniques of Manuscript Production from Late Medieval Germany”, Care and Conservation of Manuscripts, vol. 5, pp. 78-87, Submitted.
, “Pastel et Indigo ou les origines du bleu”, Revue d´histoire de la pharmacie, vol. 78, pp. 13-20, 1990.
, Peder Månssons Schriften über technische Chemie und Hüttenwesen. Eine Quelle zur Geschichte der Technik des Mittelalters. Berlin: , 1941.
, “Pereisc in the Parisian "Jewel House"”, in Spanish Habsburg World (16th-18th Centuries), Submitted.
,