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R. Fuchs, Pergament. Material - Geschichte - Restaurierun, in Robert Fuchs, Christiane Meinert, Johannes Schrempf: Pergament. Geschichte - Material - Konservierung - Restaurierun, Köln: , 2001, pp. 9-110.
S. Baroni, Petri de Sancto Audemaro, Liber de coloribus, traduzione e note. Como: , 1988.
L. Van Acker, Petri Pictoris Carmina nec non Petri de Sancto Audemaro Librum de Coloribus Faciendis, in Corpus Christianorum, Continuatio Mediaeualis, vol. 25, Turnhout: , 1972.
, Pharmacy Price-lists as a new type of Documentary Source for Research into Historical Artists’Material: The Münchner Taxenprojekt, Dyes in History and Archaeology, vol. 19, pp. 32-36, 2000.
R. - R. H. and Werner, A. E. A., The pigments and medium of the Lindisfarne Gospels, in Codex Lindisfarnensis, vol. vol. 2, Basel: , 1960, pp. 263-272.
A. P. Laurie, The pigments and mediums of the old masters, with a special chapter on the microphotographic study of brushwork. London: , 1926.
R. Halleaux, Pigments et colorants dans la « Mappae Clavicula », Pigments et Colorants. Teinture, peinture, enluminure depuis l’Antiquité jusqu’à la fin du XIIe siècle. Etudes historiques et Physico-chimiques, Colloque international,. Orléans, Submitted.
B. (éd.) Guineau, Pigments et colorants de l’Antiquité au Moyen Age. Teinture, peinture, enluminure. Etudes historiques et physico-chimiques. Paris, Submitted.
F. Margival, Pigments et peinture au Moyen Age, Peinture, pigments, vernis, vol. 36, 1960.
A. P. Laurie, Pigments, Mediums and Technical Methods of Classical and Mediaeval Painters, Journal of Chemical Society, pp. 163-169, 1937.
M. Pastoureau, Pour une histoire des couleurs, Techne, La couleur et ses pigments, vol. n°1, pp. 6-8, 1996.
M. Pastoureau, Pour une histoire des teinturiers médiévaux, Il colore nel medioevo, arte, simbolo, tecnica, atti delle Giornate di Studi, Lucca, 2,3,4 maggio 1996. Lucca, pp. 7-39, Submitted.
D. V. Thompson, The practice of tempera painting. Materials and Methods. New York: , 1936.
J. Nadolny, A problem of methodology : Merrifield, Eastlake and the use of oil-based media by medieval English painters, Verger, I. (ed), ICOM-CC 14th Triennial Meeting Preprints. London, pp. 1028-33, Submitted.
B. S. Hall, Production et diffusion de certains traités de techniques au Moyen Age, Cahiers d’études Médiévales, Les arts mécaniques au Moyen Age, vol. 7, pp. 147-170, 1982.
J. M. A. Caen, The production of stained glass in the country of Flanders and the duchy of Brabant from the XVth to the XVIIIth centuries: materials and techniques. Turnhout: Brepols publishers, 2009, p. 456.
G. Bonfiglio Dosio, Ragioni antique spettanti all´arte del mare et fabriche de vasselli, manoscritto nautico del sec. XV. Venezia: Il comitato editore, 1987, p. 263.
G. Keil, Randnotizen zum "Stockholmer Arzneibuch"., Studia Neophilologica (Journal of Germanic and Romance Philology), vol. 44, 2, pp. 239-262, 1972.
S. Kroustallis, Reading the past: methodological considerations for future research in art technology, Art Technology. Sources and Methods. London, pp. 23-27, Submitted.