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S. - C. Arteni, The Strasbourg Manuscript, a compendium of Van Eyck’materials and techniques, The 14th World Congress of the International Society for Fat Research. Proceeding of Sections Lipids in Art. Brighton, Submitted.
E. E. Ploss, Studien zu den deutschen Maler- und Färberbüchern des Mittelalters., Dissertation München, Submitted.
A. Novák, Technological Recipes of Czech Alchemists, Historical Sources, pp. 132-142, Submitted.
J. Kirby, Towards a new discipline?, Art Technology. Sources and Methods. London, pp. 7-15, Submitted.
R. Fuchs and Oltrogge, D., Utilisation d’un livre de modèle pour la reconstitutions de la peinture des manuscrits.Aspects historiques et physico-chimiques, GUINEAU, Bernard, Pigments et colorants de l’Antiquité au Moyen Age. Teinture, peinture, enluminure. Etudes historiques et physico-chimiques, Actes du colloque. Paris, pp. 309-323, Submitted.