Bibliography

Found 602 results
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Journal Article
D. V. Thompson, “The ‘Ricepte daffare piu colori’ of Ambruogio di Ser Pietro da Siena”, Archeion, vol. XV, pp. 339-347, 1933.
J. Ruska, “Sal ammoniacus, Nusadir und Salmiak”, Isis, vol. 6, p. 216, 1923.
D. V. Thompson, “The Schedula of Theophilus Presbyter”, Speculum, vol. VII, pp. 199-220, 1932.
R. Fuchs and Oltrogge, D., “Scientific analysis of medieval book-illumination as a resource for the art historian and conservator”, Gazette du livre médiéval, vol. n°21, pp. 29-34, 1992.
W. W. Hermann, Jr, “A sixteenth-century German Treatise, Von Stahel und eysen, translated with explanatory notes”, Technical Studies in the Field of Fine Arts, vol. IV, 2, pp. 63-92, 1935.
R. Parker Johnson, “Some Continental Manuscripts of the Mappae Clavicula.”, Speculum, vol. 12, pp. 84-103, 1937.
R. Parker Johnson, “Some Continental Manuscripts of the Mappae Clavicula.”, Speculum, vol. 12, pp. 84-103, 1937.
L. Thorndike, “Some Medieval Texts on Colours.”, Ambix, vol. 7 (1), pp. 1-24, 1959.
L. Thorndike, “Some Medieval Texts on Colours”, Ambix, vol. 7 (1), pp. 1-24, 1959.
C. Cailhol, “Sources bibliographiques pour l’étude des pigments utilisés en peinture jusqu’au XVe siècle”, Revue des Sociétés Savantes de Haute Normandie, vol. XX, 1960.
, “Sredniowieczne Kompendium wiedzy o barwnikach”, Kwartalnik Historii Kultury Materialnej, vol. XXII, pp. 663-71, 1974.
E. R. Caley, “The Stockholm Papyrus X”, Journal of Chemical Education, vol. IV, 1927.
D. Goltz, “Studien zur Geschichte der Mineralnamen in Pharmazie, Chemie und Medizin von den Anfängen bis Paracelsus.”, Sudhoffs Archiv, 1972.
W. Eamon, “Studies on Medieval fachliteratur : proceedings of the special session on Medieval Fachlitertur of the Sixteenth International Congress on Medieval Studies”, Scripta : Mediaeval and Renaissance texts and studies, 1982.
D. V. Thompson, “The Study of Mediaeval craftmanship”, Bulletin of the Fogg Art Museum, vol. VIII, 1934.
P. Carofano, “Sulle Ricette di Pittura del Trattato di Théodore Turquet de Mayerne”, La Diana, annuario della scuola di specializzazione in archeologia e storia dell´arte dell´universitá degli studi di Siena, vol. 1, pp. 147-180, 1995.
M. V. Orna, Low, M. J. D., and Baer, N. S., “Synthetic blue Pigments : Ninth to Sixteenth Centuries. II. Silver Blue”, Studies in Conservation, vol. 30, pp. 155-160, 1985.
M. V. Orna, Low, M. J. D., and Baer, N. S., “Synthetic blue Pigments : Ninth to Sixteenth Centuries. I. Literature”, Studies in Conservation, vol. 25, pp. 53-63, 1980.
S. Waetzoldt, “Systematisches verzeichnis der Farbnamen”, Münchner Jahrbuch der Bildenden Kunst, pp. 6-14.
R. E. Straub, “Tafel -und Tüchleinmalerei”, Reclams Handbuch der künstlerischen Techniken, vol. 1, pp. 127-259, 1984.
S. A. & al., “Technical examination of a fifteenth-Century German Illuminated manuscript on paper : a case study in the identification of materials”, Studies in Conservation, vol. n°46, pp. 93-108, 2001.
H. J. Vermeer, “Technisch-naturwissenschaftliche Rezepte aus einer Harburger Handschrift.”, Sudhoffs Archiv für Geschichte der Medizin und der Naturwissenschaften, vol. 45, pp. 110 - 126, 1961.
H. J. Vermeer, “Technisch-naturwissenschaftliche Rezepte aus einer Harburger Handschrift.”, Sudhoffs Archiv für Geschichte der Medizin und der Naturwissenschaften, vol. 45, pp. 110-126, 1961.
A. Novák, “Technological Recipes of Czech Alchemists”, Historical Sources, pp. 132-142, Submitted.
V. P. Redlich, “Tegernsee und die deutsche Geistesgeschichte im 15. Jh.”, Schriftenreihe zur bayerischen Landesgeschichte, vol. 9, 1931.