Bibliography

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D. W. Singer, Catalogue of Latin and Vernacular Alchemical Manuscripts in Great Britain and Ireland. Bruxelles: .
D. Waley Singer, Catalogue of Latin and Vernacular Alchemical Manuscripts in Great Britain and Ireland. Bruxelles: .
W. J. Wilson, “Catalogue of Latin and Vernacular Alchemical Manuscripts in the United States and Canada”, Osiris, vol. 6, 1939.
, Catalogus Codicum manu scriptorum qui in Bibliotheca Canonicorum Regularum S. Augustini Claustroneoburgi asservantur. losterneuburg: , 1931.
F. Brunello, Cennino Cennini, il libro dell’arte, commentato e annotato da Franco Brunello. Vicenza: , 1982.
F. Brunello and Magagnato, L., Cennino Cennini, Il Libro dell’Arte, (fin XIVe s). Vicenza: , 1971.
D. V. Thompson, Cennino d’Andrea Cennini da Colle di Val d’Elsa. Il Libro dell’arte. New Haven: , 1932.
W. Brückner, “Cera- Cera Virgo - Cera Virginea. EIn Beitrag zu “Wörter und Sachen” und zur Theorie der “ Stoffheiliggkeit””, Zeitschrift für Volkskunde, vol. Bd 59, pp. 233-253, 1963.
V. Eikema M. Hommes, Changing Pictures: Discoloration of 15th - 17th Century Oil Paintings. London: , 2004.
E. Gerda Hickel, Chemikalien im Arzneischatz deutscher Apotheken des 16. Jahrhunderts unter besonderer Berücksichtigung der Metalle. Braunschweig (Diss.): , 1963.
C. Krekel, “Chemische Struktur historischer Eisengallustinten”, Tintenfraßschäden und ihre Behandlung, pp. 25-37, 1999.
C. Krekel, “Chemische und kulturhistorische Untersuchungen des Buchmalereifarbstoffs folium und ein weiterer Inhaltsstoff aus Chrozophora tinctoria und Mercurialis perennis”, München (Diss.), 1996.
C. Krekel, “Chemische und Kulturhistorische Untersuchungen des Buchmalereifarbstoffs folium und ein weiterer Inhaltsstoff aus Chrozophora tinctoria und Mercurialis perennis”, München (Diss.), 1996.
R. Silva, “Chimica, tecnica e formule dei colori nel manoscritto lucchese 1939 del secolo XIV”, Critica d'Arte, vol. 160-162, pp. 27-43, Submitted.
R. Silva, “Chimica, tecnica e formule dei colori nel manoscritto lucchese 1939 del secolo XIV”, Critica d’Arte, vol. n°160-162, pp. 27-43, Submitted.
A. Wallert, “Chrozophora tinctoria Juss.: problems in identifying an illumination colorant”, Restaurator, vol. 11, pp. 141-55, 1990.
K. Wessely, “Chrysographie”, Wiener Studien : Zeitschrift für classische Philologie, vol. 12, pp. 259-279, 1889.
A. C. Esmeijer, “Cloudscape in theory and practice”, Simiolus, vol. n°3, 1977.
M. Berthelot, Collection des anciens alchimistes grecs, vol. 3 vol. Paris: .
D. Oltrogge, “The Cologne database for painting materials and reconstructions”, Art of the Past: Sources and Reconstructions. London, pp. 9-15, Submitted.
Hde Graaff J., The colourful Past: The Origins, chemistry and identification of natural dyestuffs. 2004.
P. -d’ C. ieteren, Colyn de Coter et la technique picturale des peintres flamands du XVe siècle. Bruxelles: , 1985.
R. Parker Johnson, “The « Compositiones ad tingenda »,”, Technical Studies in the Field of the Fine Arts, vol. III.
H. Hedfors, Compositiones ad Tingenda Musiva. Uppsala: , 1932.
I. Villela-Petit, “Copies, reworkings and renewals in late medieval recipe books”, in Nadolny, J. (ed.), Medieval Painting in Nothern Europe: Techniques, Analysis, Art History. Studies in Commemoration of the 70th Birthday of Unn Plahter, London: , Submitted, pp. 167-81.