Found 602 results
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Journal Article
J. Ruska, Sal ammoniacus, Nusadir und Salmiak, Isis, vol. 6, p. 216, 1923.
D. V. Thompson, The ‘Ricepte daffare piu colori’ of Ambruogio di Ser Pietro da Siena, Archeion, vol. XV, pp. 339-347, 1933.
M. Price, A Renaissance of Color: Particle Separation and Preparation of Azurite for Use in Oil Painting, Leonardo, vol. 33, pp. 281-288, 2000.
J. Burnam, Recipes from codex Matritensis A 16 (ahora 19), University of Cincinnati Studies, vol. vol. 8, 1912.
P. Lefevre, Recette pour la fabrication de l’encre au XVe siècle, Archives et Bibliothèques de Belgique, vol. 3, 1926.
W. L. Braekman, Recepten en pokkentraktaat uit een Middelnederlands handschrift, Volkskunde, vol. 28, n°1-8, pp. 177-198, 1977.
G. Keil, Randnotizen zum "Stockholmer Arzneibuch"., Studia Neophilologica (Journal of Germanic and Romance Philology), vol. 44, 2, pp. 239-262, 1972.
U. Schiessl, Quellen zur Maltechnik des Mittelalters und der frühen Neuzeit, Restauratorenblätter, vol. 18, pp. 31-41, 1998.
B. Bischoff, Waetzold, S., and H. Runge, R., Quellengeschichtliche Untersuchungen zur “Schedula diversarum artium” des Theophilus, Münchner Jahrbuch der bildenden Kunst, vol. 3e série, t. III-IV.
B. S. Hall, Production et diffusion de certains traités de techniques au Moyen Age, Cahiers d’études Médiévales, Les arts mécaniques au Moyen Age, vol. 7, pp. 147-170, 1982.
M. Pastoureau, Pour une histoire des couleurs, Techne, La couleur et ses pigments, vol. n°1, pp. 6-8, 1996.
A. P. Laurie, Pigments, Mediums and Technical Methods of Classical and Mediaeval Painters, Journal of Chemical Society, pp. 163-169, 1937.
F. Margival, Pigments et peinture au Moyen Age, Peinture, pigments, vernis, vol. 36, 1960.
, Pharmacy Price-lists as a new type of Documentary Source for Research into Historical Artists’Material: The Münchner Taxenprojekt, Dyes in History and Archaeology, vol. 19, pp. 32-36, 2000.
G. - J. Aillaud, Pastel et Indigo ou les origines du bleu, Revue d´histoire de la pharmacie, vol. 78, pp. 13-20, 1990.
D. Oltrogge, Parchment, Painting, Script and Binding: Texts on the Techniques of Manuscript Production from Late Medieval Germany, Care and Conservation of Manuscripts, vol. 5, pp. 78-87, Submitted.
S. Bucklow, Paradigms and Pigment Recipes : Vermilion, Synthetic Yellows and the Nature of Egg, Zeitschrift für Kunsttechnologie und Konservierung, vol. 13, pp. 140-149, 1999.
S. Bucklow, Paradigms and Pigment Recipes : Silver and Mercury Blues, Zeitschrift für Kunsttechnologie und Konservierung, vol. 15, pp. 25-33, 2001.
S. Bucklow, Paradigms and Pigment Recipes : Natural Ultramarine, Zeitschrift für Kunsttechnologie und Konservierung, vol. 14, pp. 5-14, 2000.
S. Bergeon, Painting Technique: Priming, Coloured Paint Film and Varnish, Art History and Laboratory Scientific Examination of Easel Paintings., vol. Pact. 13, pp. 35-62, 1986.
A. Massing, Painting materials and techniques. Towards a bibliography of the french literature before 1800, Feitschrift in honour of Professor Straub, 1990.
L. Thorndike, Other texts on colours., Ambix, vol. 8 (2), pp. 53-70, 1960.
A. Wallert, Orpiment und Realgar. Some pigment characteristics, Maltechnik restauro, vol. 90, pp. 45-47, 1984.
S. Munoz Vinas, Original written sources for the history of medieval painting techniques and materials : a list of published texts, Studies in Conservation, vol. 43, pp. 114-124, 1998.
R. Fuchs and Oltrogge, D., Old Paint Formulae under Close Scrutiny. Saving Mediaeval Book Illuminations, Reports of the DFG . German Research, vol. 3:91, pp. 24-26, Submitted.