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M. Clarke, Asymptotically approaching the past: historiography and critical use of sources in art technological, Art Technology. Sources and Methods. London, pp. 16-22, Submitted.
M. Clarke, Mediaeval Painters' Materials and Techniques: The Montpellier Liber diversarum arcium. London: , 2010.
M. Clarke and Carlyle, L., Page image recipe databases: a new approach to making art technological manuscripts and rare printed sources accessible, Art of the Past: Sources and Reconstructions. London, pp. 49-52, Submitted.
M. Clarke, Townsend, J. H., and Stijnman, A. (eds), Art of the Past: Sources and Reconstructions. Submitted.
M. Clarke, The Analysis of medieval European manuscripts, Reviews in Conservation, vol. 2, pp. 3-15, 2001.
J. R. Clemens, Fifteenth century English recipes for the making of pigments, Art and Archaeology, vol. 34, pp. 206-210, 1933.
M. Collins and Land, N. F., Early Books on Art, 1500-1800. Columbia: , 1977.
J. Corbett, Manuscrits des Bibliothèques de Paris antérieurs au XVIIIe siècle., in Catalogues des Manuscrits Alchimiques latins, Bruxelles: .
J. Corbett, Manuscrits des Bibliothèques de Paris antérieurs au XVIIIe siècle. Bruxelles: .
P. Coremans, Gettens, R. J., and Thissen, J., La technique des Primitifs flamands. Etude scientifique des matériaux, de la structure et de la technique picturale, Studies in Conservation, vol. I, pp. 1-29, 1952.
P. & al. Coremans, Les Primitifs flamands. III. Contributions à l’étude des Primitifs flamands. 2. L’Agneau Mystique au laboratoire : Examen et traitement. Anvers: , 1953.
C. Crisciani and Bagliani, A. Paravicini, Alchimia e medicina nel Medioevo, Edizioni del Galluzzo. Firenze: Sismel, 2003.
A. C. Crombie, Augustine to galileo. T. 2, Science in the later middle ages and early modern times 13th to 17 th centuries. 1969.