Bibliography

Found 602 results
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Journal Article
J. R. Gettens, “Lapis Lazuli and ultramarine in ancient times”, Alumni, vol. 19, pp. 342-357, 1950.
S. C. B. C. Davison, “Landmarks in the history of weighing and measuring”, The Newcomen Society for the study of the history of engineering and Technology, Transactions, vol. vol. 21, pp. 131-152.
P. Cézard, “L’alchimie et les recettes techniques”, Métaux et civilisations, vol. 1, pp. 5-10, 1945.
C. Krekel, Burmester, A., and Haller, U., “Kurzmitteilungen aus dem Münchner Taxenprojekt: Vitriol”, Restauro, vol. 111, 6, 2005.
J. A. Van Der Graaf, “The interpretation of old painting recipes”, Burlington Magazine, vol. 104, pp. 471-475, 1962.
R. D. Harley, “The interpretation of colour names”, Burlington Magazine, vol. CX, pp. 460-461, 1968.
F. Toliani, “Incipit scripta colorum, un trattato contenuto nel ms. 1075 della Biblioteca Statale di Lucca”, Critica d’Arte, vol. LVIII (3), pp. 47-56, 1995.
, “Il ms 25 della Newberry Library: la tradizione dei ricettari e trattati sui colori nel Medioevo e Rinascimento veneto e toscano”, La Bibliofilia, vol. LXXXVII(1), pp. 1-38, 1985.
, “Il ms 25 della Newberry Library: la tradizione dei ricettari e trattati sui colori nel Medioevo e Rinascimento veneto e toscano”, La Bibliofilia, vol. LXXXVII(1), pp. 1-38, 1985.
J. Kirby and White, R., “The Identification of Red Lake Pigment Dyestuffs and a Discussion of their Use”, National Gallery Technical Bulletin, vol. 17, pp. 56-80, 1996.
A. P. Laurie, “The identification of pigments used in painting at different periods, with a brief account of other methods of examining pictures”, Analyst, pp. 162-179, 1930.
L. Bussotti, Carboncini, M. P., Castellucci, E., Giuntini, L., and Mando, A., “Identification of pigments in a fourteenth-century miniature by combined micro-raman and PIXE spectroscopic techniques”, Studies in Conservation, vol. 42, pp. 83-92, 1997.
F. Brunello, “I Colori del trattato « Compositiones ad tingenda » del secolo VIII,”, Pitture e vernici, pp. 461-468, 1974.
A. Novák, “"Hi sunt omnes colores". Text from the 12th century from the Library of St Peter's Monastery in Salzburg.”, Technologia artis, vol. 4, pp. 77-79, 1996.
R. Woudhuysen-Keller and Woudhuysen, P., “The History of egg whites varnishes”, Hamilton Kerr Institute Bulletin, vol. 2, pp. 90-140, 1994.
W. F. Brinckman, Kockaert, L., Maes, L., Masschelein-Kleiner, L., Robaszynski, F., and Thielen, E., “Het Lam Godretabel van Van Eyck, een heronderzoek naar de materialen en schildermethoden, 1. De plamuur, de isolatielaag, de tekening en de grondtonen”, Bulletin de l’Institut Royal du Patrimoine Artistique, vol. XX, pp. 137-166.
H. Kuhn, “Grünspan und seine Verwendung in der Malerei”, Farbe und Lack, vol. 70, pp. 703-711, 1964.
G. Rahn-Koltermann, Glemser, O., Oltrogge, D., and Fuchs, R., “Grünspan. Ein bedeutsames Pigment für das Scriptorium des Mittelalters”, Naturwissenschaftliche Rundschau, vol. 46, pp. 222-227, 1993.
J. R. Clemens, “Fifteenth century English recipes for the making of pigments”, Art and Archaeology, vol. 34, pp. 206-210, 1933.
H. Roosen-Runge, “Farbgebung und Technik frühmittelalterlicher Buchmalerei.Studien zu der Traktaten Mappae Clavicula und Heraclius”, Kunstwissenschaftliche Studien, vol. XXXVIII, 1967.
R. Hofmann, “Färbepflanzen und Färbedrogen.”, Restauratorenblätter, vol. 13, pp. 39-63, 1992.
N. R. Ker, “Facsimile of British Museum Ms. Harley 2253”, Early English Text Society Original Series 255, 1965.
G. Stephens, “Extracts in Prose and Verse from an Old English Medical Manuscript, preserved in the Royal Library at Stockholm”, Archaeologia, vol. XXX, 1844.
B. Guineau and Vezin, J., “Etude de recettes et d'indications de couleurs relevées sur un manuscrit d'Adémar de Chabannes (Leiden, Voss. lat. O 15) : l'exemple de la couleur gladius”, Scriptorium, vol. LX, n° 1, pp. p. 80-95, 2006.
M. Pastoureau, “Et puis vint le bleu”, Europe, vol. 654, pp. 43-50, 1983.