Bibliography

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D
B. De Patoul and Van Schoute, R. (dir.), Les Primitifs flamands et leur temps. Bruxelles: , 1994.
M. De Reu and G. Hooydonck, V. & al., “À propos de l’analyse chimique des pigments utilisés dans quelques manuscrits enluminés”, Scriptorium, vol. 53, n°2, pp. 357-372, 1999.
C. Déroche and Cennini, C., Il libro dell’Arte, traduction critique, commentaries et notes par C. DEROCHE. Paris: , 1991.
L. Dimier, L’art d’enluminer. Traité du XIVe siècle traduit du latin avec des notes tirées d’autres ouvrages anciens et des commentaires. Paris: , 1927.
C. R. Dodwell, Theophilus, De Diversis Artibus. The Various Arts. London: , 1961.
M. Doerner, The Materials of the Artist and their Use in Painting. London: , 1934.
G. Bonfiglio Dosio, Ragioni antique spettanti all´arte del mare et fabriche de vasselli, manoscritto nautico del sec. XV. Venezia: Il comitato editore, 1987, p. 263.
W. Dressendörfer, Keil, G., and Müller-Jahnke, W. - D., Die oberrheinische Sammelhandschrift des Kodex Berleburg. München: , 1991.
L. A. Driessen, “Un livre flamand de recettes de teinture de 1513 et la traduction anglaise de 1583”, Revue générale des matières colorantes, pp. 68-71, 1934.
F. Dufront, “Le bleu et le vert jusqu’au XVIIe siècle”, Université de Poitiers thèse de doctorat inédite, 1989.
L. J. V. Dunlop, The Use of Colour in Parisian Manuscript Illumination c. 1320-c. 1420 with Special Reference to the Availability of pigments and their Commerce at that Period. Manchester: , 1988.
E
D. Smet E., “Uit het werkboek van de kalligraaf van de Abdij van Waarschoot”, Ons Meetjseland, vol. 9, pp. 19-21, 1976.
W. Eamon, “Studies on Medieval fachliteratur : proceedings of the special session on Medieval Fachlitertur of the Sixteenth International Congress on Medieval Studies”, Scripta : Mediaeval and Renaissance texts and studies, 1982.
W. Eamon, Science and the secrets of nature: books of secrets in medieval and early modern culture. 1994.
W. Eamon, “Arcana disclosed: the advent of printing, the books of secrets tradition and the development of experimental science in the sixteenth century”, History of science, vol. no. 56; 22, pp. 111-150.
C. L. Eastlake, Materials for a History of Oil Painting. London: , 1847.
C. Lock Eastlake, Methods and Materials of Painting of the Great Schools and Masters. New York: Dover Publications, Inc., 1960.
G. Ebner and Schelz, D., Textilfärberei und Farbstoffe. Beispiele angewandter organischer Chemie. Berlin, Heidelberg: , 1989.
S. M. Edelstein, “Dyestuffs and tanning leather in the XVth Century”, Dyestuff Reporter, vol. 54, pp. 940-944, 1965.
S. M. Edelstein, “Dyestuffs and dyeing in the XVth Century”, Dyestuff Reporter, vol. 52, pp. 2-5, 1963.
S. M. Edelstein, “[Dem Faksimile liegt die bei Peter Jordan in Mainz 1532 gedruckte Ausgabe zugrunde.]”, Technology & Culture, vol. 5, pp. 297-321, 1964.
M. F. Edgerton, Jr., “A Mediaeval "Tractatus de coloribus". Together with a Contribution to the Study of the Color-vocabulary of Latin”, Mediaeval Studies, vol. 25, pp. 173-208, 1963.
V. W. Egbert, The Mediaeval artist at work. Princeton: , 1967.
C. Eggenberger, “Les manuscrits à peintures. Remarques et propositions”, Gazette du livre médiéval 1, pp. 13-15, 1982.
H. Ekkehard, “Musivgold. Rekonstruktion eines historischen pigments”, Restauro, vol. 6, pp. 420-425, 2005.