Bibliography

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M
C. Stanley Smith and Hawthorne, J. G., “Mappae Clavicula, a little Key to the World of Medieval Technique”, Transactions of the American Philosophical Society, vol. N.s.64, pt.4, 1974.
J. Corbett, Manuscrits des Bibliothèques de Paris antérieurs au XVIIIe siècle. Bruxelles: .
J. Corbett, “Manuscrits des Bibliothèques de Paris antérieurs au XVIIIe siècle.”, in Catalogues des Manuscrits Alchimiques latins, Bruxelles: .
R. Parker Johnson, “The Manuscripts of the Schedula of Theophilus Presbyter.”, vol. 13, pp. 86-103, 1938.
R. Parker Johnson, “The Manuscripts of the Schedula of Theophilus Presbyter.”, Speculum, vol. 13, pp. 86-103, 1938.
J. R. Gettens and Fitzhugh, E. W., “Malachite and green verditer”, Studies in Conservation, vol. vol. 19, n°1, pp. 2-23, 1974.
L
W. L. Wardale, “A Low German-Latin Miscellany of the Early Fourteenth Century”, Niederdeutsche Mitteilungen, vol. 8, pp. 5-22, 1952.
D. C. Fels, Lost Secrets of Flamish Painting including the first Complete English Translation of the De Mayerne Manuscript, B.M. Sloane 2025. Hillsville VA: Alchemist Inc, 2001.
S. Kroustallis, “Los recetarios medievales de tecnologia artistica”, Art Technology. Sources and Methods. London, pp. 35-41, Submitted.
V. Boltz, lluminierbuch. Wie man allerlei Farben bereiten, mischen und auftragen soll. Allen jungen angehenden Malern und Illuministen nützlich und fürderlich. Durch Valentinum Boltz von Ruffach. Nach der ersten Auflage von 1549 herausgegeben. München: , 1913.
C. A. Grissom, “A Literature search for a pigment study”, International Council of Museums, Committe for Conservation. Paris, Submitted.
A. Wallert, Hermens, E., and Peek, M. (ed.), “Libro Secondo de Diversi Colori e Sise da Mettere a Oro: A fifteenth-Century Technical Treatise on Manuscript Illumination”, in Historical Painting Techniques, Materials, and Studio Practice, Preprints of a Symposium, University of Leiden, The Netherlands, 26-29 june 1995, T. Getty Cons Institute 1995.
D. V. Thompson, “The Liber magistri Petri de Sancto Audemaro de coloribus faciendis”, Technical Studies in the Field of the Fine Arts, vol. IV, pp. 28-33, 1935.
D. Varney Thompson, “Liber de coloribus illuminatorum sive pictorum from Sloane Ms. N. 1754.”, Speculum, vol. 1, pp. 280-307, 1926.
E. Darmstaedter, “Liber de claritatis totius alkimicae artis”, Archeion: Archivio di Storia Della Scienza, vol. IX, pp. 63-80, 1928.
E. Darmstaedter, “Liber de claritatis totius alkimicae artis”, Archeion: Archivio di Storia Della Scienza, vol. IX, pp. 63-80, 1928.
L. Masschelein-Kleiner, Liants, vernis et adhésifs anciens. Bruxelles: , 1992.
E. R. Caley, “The Leyden Papyrus X”, Journal of Chemical Education, vol. III, 1926.
J. Andre, Lexique des termes de botanique en latin. 1956.
T. Brachert, Lexikon historischer Maltechniken : Quellen ,Handwerk, Technologie, Alchemie. München: , 2001.
A. Blaise, Lexicon latinitatis Medii Aevi. Dictionnaire latin-français des auteurs du Moyen Age. Turnhout: , 1986.
M. Ruland, Lexicon Alchemiae. Frankfurt (Reprint Hildesheim): .
G. Beaujouan, “Le vocabulaire scientifique du latin médiéval”, La lexicologie du latin médiéval et ses rapports avec les recherches actuelles sur la civilisation du Moyen Age. , Actes du colloque de Paris, 18-21 octobre 1978, Paris, CNRS. pp. 345-354., 1981.
G. Loumyer, Les traditions techniques de la peinture Médiévale. Bruxelles-Paris: , 1914.
R. Halleux, “Les techniques du verre dans les anciens manuscripts de recettes”, Techniques et sciences. Les Arts du verre, Actes du colloque de Namur, 20-21 octobre 1989. Submitted.