Bibliography

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H
G. Hurst, Painter’s colours, oils and varnishes. London: , 1892.
H. Clark Hoover and Hoover, L. Henry, Georgius Agricola, De Re Metallica translated from the first latin edition of 1556. New York: Dover Publications, 1950.
V. Eikema M. Hommes, Changing Pictures: Discoloration of 15th - 17th Century Oil Paintings. London: , 2004.
G. Höhle, “Zur ober- und mittelrheinischen Buchmalerei um die Mitte des 15. Jhs. - ausgehend von zwei Maltraktaten.”, Berlin (Dissertation FU), 1984.
R. Hofmann, “Färbepflanzen und Färbedrogen.”, Restauratorenblätter, vol. 13, pp. 39-63, 1992.
H. Hilg, Die lateinischen mittelalterlichen Handschriften. Teil 2: Hs 22922 - 198390 (Handschriften des Germanischen Nationalmuseums Nürnberg). Wiesbaden: , 1986.
E. Gerda Hickel, Chemikalien im Arzneischatz deutscher Apotheken des 16. Jahrhunderts unter besonderer Berücksichtigung der Metalle. Braunschweig (Diss.): , 1963.
G. Heydenreich, Painting Materials, Techniques and Workshop Practice of Lucas Cranach the Elder. London: , 2002.
W. W. Hermann, Jr, “A sixteenth-century German Treatise, Von Stahel und eysen, translated with explanatory notes”, Technical Studies in the Field of Fine Arts, vol. IV, 2, pp. 63-92, 1935.
G. Henslow, Medical Works of the Fourteenth Century. London: , 1899.
R. Hendrie, An Essay upon Various Arts in three Books, by Theophilus, called also Rugerus, priest and monk, forming an Encyclopaedia of Christian Art of the eleventh century. London: , 1847.
R. Hendrie, An Essay upon Various Arts in three Books, by Theophilus, called also Rugerus, priest and monk, forming an Encyclopaedia of Christian Art of the eleventh century. London: , 1847.
H. Hedfors, Compositiones ad Tingenda Musiva. Uppsala: , 1932.
R. Hausmann, “Die Historischen, Philologischen und Juristischen Handschriften der Hessischen Landesbibliothek Fulda bis zum Jahr 1600. B 1 - 25, C 1-18.68, D1 - 48.”, 2000.
J. Harvey, Mediaeval Craftsman. London: , 1975.
R. D. Harley, Artist’s Pigments, c 1600-1835. London: , 1970.
R. D. Harley, “The interpretation of colour names”, Burlington Magazine, vol. CX, pp. 460-461, 1968.
R. D. Harley, “Artist’s Brushes. Historical evidence from the Sixteenth to the Nineteenth Century”, Conservation and restoration of pictorial art, Atti del 5° Congresso Internazionale dell’International Institute for Conservation. Lisbon, Submitted.
M. Hardie, English coloured books. London: , 1906.
R. Hanna, “A handlist of manuscripts containing Middle English prose in the Henry E. Huntingdon Library”, in The Index of Middle English Prose, Handlist, vol. 1, 1984.
J. Hamesse, “Les problèmes posés par l’édition critique des textes anciens et médiévaux”, Publications de l’Institut d’études médiévales. Textes, études, congrè, vol. 13. Louvain-la-Neuve, Submitted.
J. O. Halliwell, “Early English Artistical Receipts”, Journal of the British Archaeological Association, vol. III, pp. 107-111, 1848.
J. O. Halliwell, Early English Miscellanies in Prose and Verse. London: , 1855.
J. O. Halliwell, “Early English Artistical Receipts”, Journal of the British Archaeological Association, vol. III, pp. 107-111, 1848.
R. Halleux, “Les techniques du verre dans les anciens manuscripts de recettes”, Techniques et sciences. Les Arts du verre, Actes du colloque de Namur, 20-21 octobre 1989. Submitted.