Bibliography

Found 601 results
[ Author(Desc)] Title Type Year
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F. J. Mone, “Bereitung und Behandlung der Malerfarben in 15. Jahrhundert”, Freiburger Archiv, vol. 7, 1873.
J. Mone, “Eine Handschrift zu Strassburg”, Anzeigen für Kunde der Deutschen Vorzeit, vol. 4, 1835.
F. J. Mone, “Bereitung und Behandlung der Malerfarben in 15. Jahrhundert”, Freiburger Archiv, vol. 7, 1873.
C. Moretti and Toninato, T., Ricette vetrarie del Rinascimento, Trascrizione da un manoscritto anonimo veneziano. Venezia: , 2001, p. 125.
J. M. Muller and Murrell, J., Edward Norgate Miniatura or the Art of Limning. New Haven & London: Yale University Press, 1997.
N
J. Nadolny, “A problem of methodology : Merrifield, Eastlake and the use of oil-based media by medieval English painters”, Verger, I. (ed), ICOM-CC 14th Triennial Meeting Preprints. London, pp. 1028-33, Submitted.
A. Neri and Mentasti, R. Barovier, L´Arte Vetraria 1612 a cura di Rosa Barovier Mentasti, Edizioni il Polifilo. Milano: , 1980, p. 99.
A. Neri and Engle, P., L´arte vetraria: The Art of Glass by Antonio Neri, translated and annotated by Paul Engle, 1stst ed. Heiden & Engle, 2003.
A. Novák, “"Hi sunt omnes colores". Text from the 12th century from the Library of St Peter's Monastery in Salzburg.”, Technologia artis, vol. 4, pp. 77-79, 1996.
A. Novák, “Technological Recipes of Czech Alchemists”, Historical Sources, pp. 132-142, Submitted.
O
D. Oltrogge, ““Cum sesti et rigula”. L’organisation du savoir technologique dans le Liber Diversarium de Montpellier et dans le De Diversis Artibus de Theophile”, in Encyclopédies Médiévales. Discours et Savoirs, P. Universita Diderot 2004.
D. Oltrogge, “Vera Trost, Gold - und silbertinten. Technologische Untersuchungen zur abendländischen Chrysographie und Argurographie von der Spätantike bis zum hohen Mittelalter”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 7, pp. 249-255, 1993.
D. Oltrogge, “Konzeption und Ausführung: Maltechnische Untersuchungen des Stundenbuches”, in Das studenbuch der Sophia van Bylant, W. - R. Museum- Fo Corbaud Köln: , 2001, pp. 97-113.
D. Oltrogge, Fuchs, R., and Michon, S., “Laubwerk - zur Texttradition einer Anleitung für Buchmaler aus dem 15. Jh.”, Würzburger medizinhistorische Mitteilungen, vol. 7, pp. 179-213, 1989.
D. Oltrogge, “Parchment, Painting, Script and Binding: Texts on the Techniques of Manuscript Production from Late Medieval Germany”, Care and Conservation of Manuscripts, vol. 5, pp. 78-87, Submitted.
D. Oltrogge, “Recipes Books and Accounts. Some notes on the trade of manuscript materials in the Lower Rhineland and Westfalia around 1500”, in European Trade in Painter’s Materials. Hrsg von Jo Kirby, London: , 2005.
D. Oltrogge, “The Cologne database for painting materials and reconstructions”, Art of the Past: Sources and Reconstructions. London, pp. 9-15, Submitted.
M. V. Orna, “Copper-based Synthetic Medieval Blue Pigments”, Archaeological Chemistry. Organic, Inorganic and Biochemical Analysis, pp. 107-115, 1996.
M. V. Orna, Low, M. J. D., and Baer, N. S., “Synthetic blue Pigments : Ninth to Sixteenth Centuries. I. Literature”, Studies in Conservation, vol. 25, pp. 53-63, 1980.
M. V. Orna, Low, M. J. D., and Baer, N. S., “Synthetic blue Pigments : Ninth to Sixteenth Centuries. II. Silver Blue”, Studies in Conservation, vol. 30, pp. 155-160, 1985.
G. Ovitt, The restoration of perfection: labor and technology in medieval culture. 1987.
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M. Pastoureau, Dictionnaire des couleurs de notre temps. Paris: , 1992.
M. Pastoureau, “Pour une histoire des couleurs”, Techne, La couleur et ses pigments, vol. n°1, pp. 6-8, 1996.
M. Pastoureau, “Et puis vint le bleu”, Europe, vol. 654, pp. 43-50, 1983.
M. Pastoureau, “Vers une histoire de la couleur bleue”, Sublime indigo, Actes du Colloque de Marseille, 1987, Fribourg. pp. 19-27, 1987.