Bibliography

Found 601 results
[ Author(Asc)] Title Type Year
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T
V. Trost, Gold –und Silbertinten : technologische Untersuschungen zur abendländischen Chrysographie und Argyrographie von der Spätanike bis zum hohen Mittelalter. Wiesbaden: , 1991.
V. Trost, “Metalltintenrezepte aus der Hs. Aa20 der Hessischen Landesbibliothek Fulda.”, in Diversarum Artium Studia. Festschrift für Heinz Roosen-Runge., Wiesbaden: , 1982, pp. 185-193.
V. Trost, Scriptorium: book production in the Middle Ages. Heidelberg: , 1986.
R. Tottel, A very proper treatise, wherein is briefly sett forthe the art of Limming, which teacheth the order in drawing & tracing of letters, vinets, flowers, armes and imagery..neuer out in printe before this time (1573). London: Richad Tottill, 1573.
A. P. Torresi, Tecnica artistica a Siena: Alcuni trattati e ricettari del Rinascimento nella Biblioteca degli Intronati. Ferrara: .
A. P. Torresi, Il taccuino Antonelli : un recettario ferrerese del Quattrocento di tecnica artistica e fitoterapia. Ferrara: .
A. P. Torresi, A far littere de oro. Ferrara: , 1992.
F. Toliani, “Incipit scripta colorum, un trattato contenuto nel ms. 1075 della Biblioteca Statale di Lucca”, Critica d’Arte, vol. LVIII (3), pp. 47-56, 1995.
J. J. Tikkanen, Studien über die Farbgebung in der Mittelalterlichen Buchmalerei. Helsingfors: , 1933.
L. Thorndike, “Some Medieval Texts on Colours”, Ambix, vol. 7 (1), pp. 1-24, 1959.
L. Thorndike, “Other texts on colours.”, Ambix, vol. 8 (2), pp. 53-70, 1960.
L. Thorndike, “Alchemical Writings in Vatican Palatine and Certain Other Continental Latin Manuscripts”, Speculum, vol. XI, pp. 370-83, 1936.
L. Thorndike, “Some Medieval Texts on Colours.”, Ambix, vol. 7 (1), pp. 1-24, 1959.
L. Thorndike and Kibre, F., A catalogue of incipits from mediaeval scientific writings in Latin, revised and augmented edition. Cambridge: The Mediaeval Academy of America, 1963.
D. V. Thompson, “De Coloribus Naturalia Exscripta et Collecta, from Erfurt, Stadtbücherei, MS. Amplonius Quarto 189 (XIII-XIV Century),”, Technical Studies in the Field of the Fine Arts, vol. n° 3, pp. 133-145.
D. V. Thompson, The practice of tempera painting. Materials and Methods. New York: , 1936.
D. Varney Thompson, “The De Clarea of the so-called 'Anonymus Bernensis'.”, Technical Studies, vol. 1, pp. 8-19; 69-81, 1932.
D. V. Thompson, The Craftsman’s Handbook. New Haven, 1933, Dover, New York, 1954.: , 1954.
D. Varney Thompson, “Liber de coloribus illuminatorum sive pictorum from Sloane Ms. N. 1754.”, Speculum, vol. 1, pp. 280-307, 1926.
D. Varney Thompson, jr., The Materials and Techniques of Medieval Painting. New York (Reprint): .
D. Varney Thompson, jr., “More Medieval Color-Making: Tractatus de coloribus from Munich, Staatsbibliothek, Ms.Latin 444.”, Isis, vol. 68, pp. 382-396, 1936.
D. Varney Thompson, jr., “Medieval Color-Making: Tractatus qualiter quilibet artificialis color fieri possit from Paris, B.N., Ms. latin 6749 b”, Isis, vol. 22, pp. 456-468.
D. V. Thompson, “The Schedula of Theophilus Presbyter”, Speculum, vol. VII, pp. 199-220, 1932.
D. V. Thompson, “Traktätchen, wie man Tinte und andere Farben bereiten soll, aus Ms Vat, Lat 598 (saec. XIII),”, Mitteilungen zur Geschichte der Medizin, der Naturwissenschaften und der Technik, vol. XXXIII, pp. 193-195, 1934.
D. V. Thompson, “Trial index of some unpublished sources for the history of mediaeval craftsmanship”, Speculum, vol. X, pp. 410-431, 1935.