History of technique in the arts, 1500-1950
Bibliography
] , “The analysis of plant dyes in medieval book illuminations”, Dyes in History and Archaeology, vol. 16, Submitted.
, “Artistes, artisans et production artistique au Moyen-Age.”, Colloque international, Rennes 2-6 mai 1983, vol. 3 vol. Paris, Submitted.
, “Artist’s Brushes. Historical evidence from the Sixteenth to the Nineteenth Century”, Conservation and restoration of pictorial art, Atti del 5° Congresso Internazionale dell’International Institute for Conservation. Lisbon, Submitted.
, “Art of the Past: Sources and Reconstructions”. Submitted.
, “Art Technology. Sources and Methods”. Submitted.
, “Asymptotically approaching the past: historiography and critical use of sources in art technological”, Art Technology. Sources and Methods. London, pp. 16-22, Submitted.
, “A Bibliography of Mediaeval Painting Treatises”, Making the Mediaeval Book : Techniques of Production, Proceedings of the 4th Conference of the Seminar in the History of the Book to 1500 Oxford, Juillet, 1992. London, pp. 241-244, Submitted.
, “Buchmalerei in frühen Mittelalter. Habilitationschrift”, Würzburg, Submitted.
, “Chimica, tecnica e formule dei colori nel manoscritto lucchese 1939 del secolo XIV”, Critica d'Arte, vol. 160-162, pp. 27-43, Submitted.
, “Chimica, tecnica e formule dei colori nel manoscritto lucchese 1939 del secolo XIV”, Critica d’Arte, vol. n°160-162, pp. 27-43, Submitted.
, “The Cologne database for painting materials and reconstructions”, Art of the Past: Sources and Reconstructions. London, pp. 9-15, Submitted.
, “Copies, reworkings and renewals in late medieval recipe books”, in Nadolny, J. (ed.), Medieval Painting in Nothern Europe: Techniques, Analysis, Art History. Studies in Commemoration of the 70th Birthday of Unn Plahter, London: , Submitted, pp. 167-81.
, “Critical evaluation of data on the composition of ancient materials. Part I : structural components of the paint layer. Part II. Paints and techniques”, ICOM-CC 7th Trien. meeting Copenhague. Submitted.
, Deutsches Wörterbuch. Leipzig: , Submitted.
, “De Viridi. Destruktive und unschädliche grüne Kupferpigmente in der Buchmalerei”, Biblos, vol. 30. pp. 270-284, Submitted.
, “Die Medizinische Literatur des Mittelalters”, Artes Mechanicae. Bruxelles, pp. 73-111, Submitted.
, “Die Quellentexte zur Verwendung besonderer Bindemittel für blaue Farben”, Maltechnik-Restauro, vol. 88,2, pp. 112-119, Submitted.
, “Entre technologie et alchimie. Couleurs, colles et vernis dans les anciens manuscrits de recettes”, Technologie industrielle. Conservation, restauration du patrimoine culturel, colloque AFTPV-SFIIC, Nice, 19-22 septembre 1989. Paris, pp. 7-11, Submitted.
, Europaïsche Technik im Mittelalter 800 bis 1400. Tradition und Innovation. Berlin: , Submitted.
, “From handcraft to mass production : notes on the manufacture of oil painting materials”, ICOM 7th triennal meeting, Copenhagen, 10-14 septembre, 1984. Submitted.
, “Instructions for Manuscripts Illumination in a 15th Century Netherlandisch Technical Treatise”, Acta of the Congress on Medieval Manuscript Illumination in the Northern Netherlands, University of Utrecht, 10-13 December, 1989. pp. 447-456, Submitted.
, “I Ricettari medievali per la preparazione dei colori e la loro transmissione”, Il colore nel Medioevo. Arte, simbolo, tecnica. Atti delle giornate di studi, Lucca, 5-6 mai 1995. Lucca, pp. 117-144, Submitted.
, “La couleur : regards croisés sur la couleur du Moyen Age au XXe siècle”, Actes du Colloque organisé à l’Université de Lausanne, 25-27 juin 1992. Paris, Submitted.
, “La cuve de pastel au Moyen-Age d’après la documentation méditerranéenne”, Journée d’étude sur la teinture végétale: le bleu. Submitted.
, “L’application des méthodes physiques d’examen à l’étude du modelé dans la peinture flamande du XVe au XVIIe siècle”, Annales d’Histoire de l’Art et d’Archéologie, vol. I, pp. 41-50, Submitted.