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R. Fuchs, The analysis of plant dyes in medieval book illuminations, Dyes in History and Archaeology, vol. 16, Submitted.
X. (Dir.) Barral y Altet, Artistes, artisans et production artistique au Moyen-Age., Colloque international, Rennes 2-6 mai 1983, vol. 3 vol. Paris, Submitted.
R. D. Harley, Artist’s Brushes. Historical evidence from the Sixteenth to the Nineteenth Century, Conservation and restoration of pictorial art, Atti del 5° Congresso Internazionale dell’International Institute for Conservation. Lisbon, Submitted.
M. Clarke, Townsend, J. H., and Stijnman, A. (eds), Art of the Past: Sources and Reconstructions. Submitted.
S. Kroustallis, Townsend, J. H., E. Bruquetas, C., Stijnman, A., and M. Moya, S. Andres, Art Technology. Sources and Methods. Submitted.
M. Clarke, Asymptotically approaching the past: historiography and critical use of sources in art technological, Art Technology. Sources and Methods. London, pp. 16-22, Submitted.
A. Burmester and Krekel, C., Azzuri oltramarini, lacche et altri colori fini: Auf der Suche nach der verlorenen Farbe, in Tintoretto - Der Gonzage- Zyklus. Hrsg. von Cornelia Syre, München: , 2000, pp. 193-211.
G. Wöhrle, Aristoteles De Coloribus übersetzt und erläutert von Georg Wöhrle, in Aristoteles Werke in deutscher Übersetzung, Wissenschaftliche Buchgesellschaft Darmstadt., vol. Band 18 Opuscola Teil V, Hvon Hellmu Flashar Darmstadt: Akademie Verlag Berlin, 1999.
M. Kowalczyk, Ars de omnibus coloribus, Studia Mediewistyczne, vol. 18, pp. 165-174, 1977.