Bibliography

Found 51 results
[ Author(Desc)] Title Type Year
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, “Arsenicum”, RE, vol. II, 1, pp. col. 1271-1272, 1895.
, “Antimonium”, RE, vol. 1, 2, pp. col. 2435-2438, 1894.
, Artists Pigments : a Handbook of their History and Characteristics, vol. 3. Washington: , 1997.
, “Atramentum”, RE, vol. II, 2, pp. col. 2135-2136, 1896.
A
J. Ayres, The artist crafts. A History of tools, techniques and materials. Oxford: , 1985.
B
X. (Dir.) Barral y Altet, “Artistes, artisans et production artistique au Moyen-Age.”, Colloque international, Rennes 2-6 mai 1983, vol. 3 vol. Paris, Submitted.
P. Jörg Becker and Overgaauw, E., Aderlaß und Seelentrost. Die Überlieferung deutscher Texte im Spiegel Berliner Handschriften und Inkunabeln. Ausstellungskat. Berlin, Kulturforum; Nürnberg, Germanisches Nationalmuseum 2003 /2004. Mainz: , 2003.
J. Stuart Beddie, “The ancient classics in the mediaeval librairies”, Speculum, vol. vol. 5, pp. 3-20, 1930.
J. Bersch, Allgemeine Waarenkunde. Handbuch für Kaufleute und Gewerbetreibende. Wien, Pest, Leipzig (A. Hartleben): .
M. Berthelot, Archéologie et histoire des sciences avec publication nouvelle du papyrus grec chimique de Leyde et impression originale du Liber de Septuaginta de Geber. Paris: , 1906.
F. Böhmer, “Alte Farbenrecepte”, in Mone, F.J., Anzeiger für Kunde der deutschen Vorzeit, vol. V, 1836, pp. 90-91.
W. L. Braekman, “Antwerpse ‘consten ende secreten voor verlichters en afsetters van gedrukte prenten”, VMKANTL, pp. 78-152, 1994.
F. Brunello, The Art of Dyeing in the history of manking. Venice: , 1973.
F. Brunello, The Art of Dyeing in the History of Mankind. Venice: , 1973.
A. Burmester and Krekel, C., “Azzuri oltramarini, lacche et altri colori fini: Auf der Suche nach der verlorenen Farbe”, in Tintoretto - Der Gonzage- Zyklus. Hrsg. von Cornelia Syre, München: , 2000, pp. 193-211.
C
M. Clarke, The Art of all Colours. Medieval Recipe Books for Painters and Illuminators. London: , 2001.
M. Clarke, “The Analysis of medieval European manuscripts”, Reviews in Conservation, vol. 2, pp. 3-15, 2001.
M. Clarke, “Asymptotically approaching the past: historiography and critical use of sources in art technological”, Art Technology. Sources and Methods. London, pp. 16-22, Submitted.
M. Clarke, Townsend, J. H., and Stijnman, A. (eds), “Art of the Past: Sources and Reconstructions”. Submitted.
C. Crisciani and Bagliani, A. Paravicini, Alchimia e medicina nel Medioevo, Edizioni del Galluzzo. Firenze: Sismel, 2003.
A. C. Crombie, Augustine to galileo. T. 2, Science in the later middle ages and early modern times 13th to 17 th centuries. 1969.
D
E. Darmstaedter, “Abhandlungen. Einsenhärtung mit pflanzen”, Geschichtsblätter für Technik, vol. 11,3, p. 163-, 1927.
E
W. Eamon, “Arcana disclosed: the advent of printing, the books of secrets tradition and the development of experimental science in the sixteenth century”, History of science, vol. no. 56; 22, pp. 111-150.
F
R. L. Feller, Artist’s Pigments. A Handbook of their History and Characteristics. Cambridge: , 1986.
R. Fuchs, “The analysis of plant dyes in medieval book illuminations”, Dyes in History and Archaeology, vol. 16, Submitted.
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