Bibliography

Found 51 results
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W
G. Wöhrle, “Aristoteles De Coloribus übersetzt und erläutert von Georg Wöhrle”, in Aristoteles Werke in deutscher Übersetzung, Wissenschaftliche Buchgesellschaft Darmstadt., vol. Band 18 Opuscola Teil V, Hvon Hellmu Flashar Darmstadt: Akademie Verlag Berlin, 1999.
W. J. Wilson, “An Alchemical Manuscript by Arnaldus de Bruxella”, Osiris, vol. 2, pp. 220-405, 1936.
A. Wallert, “Aquae conficiendae ad temperandos omnes colores: Manuscript in the Leiden University Library, Voss. Chym. Oct. 6.”, Technologiae artis, vol. 3, pp. 134-146, 1993.
T
L. Thorndike, “Alchemical Writings in Vatican Palatine and Certain Other Continental Latin Manuscripts”, Speculum, vol. XI, pp. 370-83, 1936.
D. V. Thompson and Hamilton, G. H., An Anonymous Fourteenth-century Treatise : De Arte Illuminandi. The Technique of Manuscript Illumination. New Haven: , 1933.
D. V. Thompson, “Artificial Vermilion in the Middle Ages”, Technical Studies in the Field of the Fine Arts, vol. II, pp. 62-70, 1933.
S
D. W. Singer, “Appendix to Cambridge, Gonville and Caius College, Ms 181”, Isis, vol. XIII, pp. 5-15, 1930.
R
R. H. Runge, “Artikel Farbe, Farbmittel der abandländischen ma. Buchmalerei”, in Reallexikon zur deutschen Kunst, vol. 6, 1973.
A. (ed.) Roy, Artist’s Pigments. A Handbook of their History and Characteristics, vol. 3 vol. New York-Oxford: , 1993.
C. Rötter, “Auripigment. Genauere Betrachtung eines historischen Farbmittels”, Restauro, vol. 109.6, pp. 408-413, 2003.
A. Raft, “About Theophilus ‘Blue Color’ « Lazur »,”, Studies in Conservation, vol. 13, pp. 1-6, 1968.
P
C. E. Power, The Art of Limming. 1932.
E. E. Ploss, H. Runge, R., and Schipperges, H., Alchimica, Ideologie und Technologie. München: , 1970.
M
R. Mayer, The artist’s handbook of materials and techniques. New-York: , 1970.
L
W. Linton, Ancient and Modern colors from the earliest periods to the present time with their chemical and artistical properties. London: , 1852.
C. Lautier and Sandron, D., “Antoine de Pise : l'art du vitrail vers 1400”, Cdes travau CTHS 2008.
K
S. Kroustallis, Townsend, J. H., E. Bruquetas, C., Stijnman, A., and M. Moya, S. Andres, “Art Technology. Sources and Methods”. Submitted.
M. Kowalczyk, “Ars de omnibus coloribus”, Studia Mediewistyczne, vol. 18, pp. 165-174, 1977.
L. Kockaert and Verrier, M., “Application des colorations à l’identification des liants de Van Eyck”, Bulletin de l’Institut Royal du Patrimoine Artistique, vol. XVII, pp. 122-126.
P. Kertzenmacher, Alchimia. Wie man alle farben / wasser / olea / salia vnd alumina / damit mann alle corpora / spiritus vnd calces preparirt / sublimiert vnd fixirt machen soll. Vnd wie mann dise ding nutze auf das Sol vnd Luna werden mög. Auch vom soluiren vnnd schaidun. Straßburg (Cammerlander): , 1528.
H
R. D. Harley, Artist’s Pigments, c 1600-1835. London: , 1970.
R. D. Harley, “Artist’s Brushes. Historical evidence from the Sixteenth to the Nineteenth Century”, Conservation and restoration of pictorial art, Atti del 5° Congresso Internazionale dell’International Institute for Conservation. Lisbon, Submitted.
R. Halleaux, Alchimistes grecs, I. Papyrus de Leyde. Papyrus de Stockholm. Fragments de recettes. Paris: , 1981.
H. Hagen, “Anonymus Bernensis über die Bindemittel und das Coloriren von Initialen. Mit einer Notiz über die Quellenliteratur der Eitemperatechnik von Albert Ilg.”, in Quellenschriften für Kunstgeschichte, vol. VII, Wien: , 1874.
G
B. Guineau, “Analyse non destructive des pigments par microsonde Raman laser : exemples de l’azurite et de la malachite”, Studies in Conservation, vol. 29, pp. 35-41, 1984.