Bibliography

Found 51 results
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Journal Article
J. R. Gettens and Fitzhugh, E. W., “Azurite and blue verditer”, Studies in Conservation, vol. vol. 11, pp. 54-61, 1966.
C. Rötter, “Auripigment. Genauere Betrachtung eines historischen Farbmittels”, Restauro, vol. 109.6, pp. 408-413, 2003.
, “Atramentum”, RE, vol. II, 2, pp. col. 2135-2136, 1896.
D. V. Thompson, “Artificial Vermilion in the Middle Ages”, Technical Studies in the Field of the Fine Arts, vol. II, pp. 62-70, 1933.
, “Arsenicum”, RE, vol. II, 1, pp. col. 1271-1272, 1895.
M. Kowalczyk, “Ars de omnibus coloribus”, Studia Mediewistyczne, vol. 18, pp. 165-174, 1977.
W. Eamon, “Arcana disclosed: the advent of printing, the books of secrets tradition and the development of experimental science in the sixteenth century”, History of science, vol. no. 56; 22, pp. 111-150.
A. Wallert, “Aquae conficiendae ad temperandos omnes colores: Manuscript in the Leiden University Library, Voss. Chym. Oct. 6.”, Technologiae artis, vol. 3, pp. 134-146, 1993.
L. Kockaert and Verrier, M., “Application des colorations à l’identification des liants de Van Eyck”, Bulletin de l’Institut Royal du Patrimoine Artistique, vol. XVII, pp. 122-126.
D. W. Singer, “Appendix to Cambridge, Gonville and Caius College, Ms 181”, Isis, vol. XIII, pp. 5-15, 1930.
W. L. Braekman, “Antwerpse ‘consten ende secreten voor verlichters en afsetters van gedrukte prenten”, VMKANTL, pp. 78-152, 1994.
, “Antimonium”, RE, vol. 1, 2, pp. col. 2435-2438, 1894.
J. Stuart Beddie, “The ancient classics in the mediaeval librairies”, Speculum, vol. vol. 5, pp. 3-20, 1930.
R. Fuchs, “The analysis of plant dyes in medieval book illuminations”, Dyes in History and Archaeology, vol. 16, Submitted.
M. Clarke, “The Analysis of medieval European manuscripts”, Reviews in Conservation, vol. 2, pp. 3-15, 2001.
B. Guineau, “Analyse non destructive des pigments par microsonde Raman laser : exemples de l’azurite et de la malachite”, Studies in Conservation, vol. 29, pp. 35-41, 1984.
L. Thorndike, “Alchemical Writings in Vatican Palatine and Certain Other Continental Latin Manuscripts”, Speculum, vol. XI, pp. 370-83, 1936.
W. J. Wilson, “An Alchemical Manuscript by Arnaldus de Bruxella”, Osiris, vol. 2, pp. 220-405, 1936.
A. Raft, “About Theophilus ‘Blue Color’ « Lazur »,”, Studies in Conservation, vol. 13, pp. 1-6, 1968.
E. Darmstaedter, “Abhandlungen. Einsenhärtung mit pflanzen”, Geschichtsblätter für Technik, vol. 11,3, p. 163-, 1927.
Conference Proceedings
M. Clarke, “Asymptotically approaching the past: historiography and critical use of sources in art technological”, Art Technology. Sources and Methods. London, pp. 16-22, Submitted.
S. Kroustallis, Townsend, J. H., E. Bruquetas, C., Stijnman, A., and M. Moya, S. Andres, “Art Technology. Sources and Methods”. Submitted.
M. Clarke, Townsend, J. H., and Stijnman, A. (eds), “Art of the Past: Sources and Reconstructions”. Submitted.
R. D. Harley, “Artist’s Brushes. Historical evidence from the Sixteenth to the Nineteenth Century”, Conservation and restoration of pictorial art, Atti del 5° Congresso Internazionale dell’International Institute for Conservation. Lisbon, Submitted.
X. (Dir.) Barral y Altet, “Artistes, artisans et production artistique au Moyen-Age.”, Colloque international, Rennes 2-6 mai 1983, vol. 3 vol. Paris, Submitted.