Bibliography

Found 34 results
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Submitted
R. Silva, “Chimica, tecnica e formule dei colori nel manoscritto lucchese 1939 del secolo XIV”, Critica d’Arte, vol. n°160-162, pp. 27-43, Submitted.
R. Silva, “Chimica, tecnica e formule dei colori nel manoscritto lucchese 1939 del secolo XIV”, Critica d'Arte, vol. 160-162, pp. 27-43, Submitted.
D. Oltrogge, “The Cologne database for painting materials and reconstructions”, Art of the Past: Sources and Reconstructions. London, pp. 9-15, Submitted.
I. Villela-Petit, “Copies, reworkings and renewals in late medieval recipe books”, in Nadolny, J. (ed.), Medieval Painting in Nothern Europe: Techniques, Analysis, Art History. Studies in Commemoration of the 70th Birthday of Unn Plahter, London: , Submitted, pp. 167-81.
S. C. Arteni and M. de Arteni, S. - P., “Critical evaluation of data on the composition of ancient materials. Part I : structural components of the paint layer. Part II. Paints and techniques”, ICOM-CC 7th Trien. meeting Copenhague. Submitted.
2004
V. Eikema M. Hommes, Changing Pictures: Discoloration of 15th - 17th Century Oil Paintings. London: , 2004.
Hde Graaff J., The colourful Past: The Origins, chemistry and identification of natural dyestuffs. 2004.
D. Oltrogge, ““Cum sesti et rigula”. L’organisation du savoir technologique dans le Liber Diversarium de Montpellier et dans le De Diversis Artibus de Theophile”, in Encyclopédies Médiévales. Discours et Savoirs, P. Universita Diderot 2004.
2002
D. A. Scott, Copper and Bronze in Art: Corrosion, Colorants, Conservation. Los Angeles: , 2002.
1999
C. Krekel, “Chemische Struktur historischer Eisengallustinten”, Tintenfraßschäden und ihre Behandlung, pp. 25-37, 1999.
1996
C. Krekel, “Chemische und kulturhistorische Untersuchungen des Buchmalereifarbstoffs folium und ein weiterer Inhaltsstoff aus Chrozophora tinctoria und Mercurialis perennis”, München (Diss.), 1996.
C. Krekel, “Chemische und Kulturhistorische Untersuchungen des Buchmalereifarbstoffs folium und ein weiterer Inhaltsstoff aus Chrozophora tinctoria und Mercurialis perennis”, München (Diss.), 1996.
M. V. Orna, “Copper-based Synthetic Medieval Blue Pigments”, Archaeological Chemistry. Organic, Inorganic and Biochemical Analysis, pp. 107-115, 1996.
1990
A. Wallert, “Chrozophora tinctoria Juss.: problems in identifying an illumination colorant”, Restaurator, vol. 11, pp. 141-55, 1990.
1985
P. -d’ C. ieteren, Colyn de Coter et la technique picturale des peintres flamands du XVe siècle. Bruxelles: , 1985.
1982
F. Brunello, Cennino Cennini, il libro dell’arte, commentato e annotato da Franco Brunello. Vicenza: , 1982.
1977
A. C. Esmeijer, “Cloudscape in theory and practice”, Simiolus, vol. n°3, 1977.
1971
F. Brunello and Magagnato, L., Cennino Cennini, Il Libro dell’Arte, (fin XIVe s). Vicenza: , 1971.
1963
L. Thorndike and Kibre, F., A catalogue of incipits from mediaeval scientific writings in Latin, revised and augmented edition. Cambridge: The Mediaeval Academy of America, 1963.
W. Brückner, “Cera- Cera Virgo - Cera Virginea. EIn Beitrag zu “Wörter und Sachen” und zur Theorie der “ Stoffheiliggkeit””, Zeitschrift für Volkskunde, vol. Bd 59, pp. 233-253, 1963.
E. Gerda Hickel, Chemikalien im Arzneischatz deutscher Apotheken des 16. Jahrhunderts unter besonderer Berücksichtigung der Metalle. Braunschweig (Diss.): , 1963.
1954
D. V. Thompson, The Craftsman’s Handbook. New Haven, 1933, Dover, New York, 1954.: , 1954.
1939
W. J. Wilson, “Catalogue of Latin and Vernacular Alchemical Manuscripts in the United States and Canada”, Osiris, vol. 6, 1939.
1932
D. V. Thompson, Cennino d’Andrea Cennini da Colle di Val d’Elsa. Il Libro dell’arte. New Haven: , 1932.
H. Hedfors, Compositiones ad Tingenda Musiva. Uppsala: , 1932.