Bibliography

Found 34 results
[ Author(Asc)] Title Type Year
Filters: First Letter Of Title is C  [Clear All Filters]
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
W
W. J. Wilson, “Catalogue of Latin and Vernacular Alchemical Manuscripts in the United States and Canada”, Osiris, vol. 6, 1939.
K. Wessely, “Chrysographie”, Wiener Studien : Zeitschrift für classische Philologie, vol. 12, pp. 259-279, 1889.
A. Wallert, “Chrozophora tinctoria Juss.: problems in identifying an illumination colorant”, Restaurator, vol. 11, pp. 141-55, 1990.
V
I. Villela-Petit, “Copies, reworkings and renewals in late medieval recipe books”, in Nadolny, J. (ed.), Medieval Painting in Nothern Europe: Techniques, Analysis, Art History. Studies in Commemoration of the 70th Birthday of Unn Plahter, London: , Submitted, pp. 167-81.
T
L. Thorndike and Kibre, F., A catalogue of incipits from mediaeval scientific writings in Latin, revised and augmented edition. Cambridge: The Mediaeval Academy of America, 1963.
D. V. Thompson, The Craftsman’s Handbook. New Haven, 1933, Dover, New York, 1954.: , 1954.
D. V. Thompson, Cennino d’Andrea Cennini da Colle di Val d’Elsa. Il Libro dell’arte. New Haven: , 1932.
S
D. W. Singer, Catalogue of Latin and Vernacular Alchemical Manuscripts in Great Britain and Ireland. Bruxelles: .
D. Waley Singer, Catalogue of Latin and Vernacular Alchemical Manuscripts in Great Britain and Ireland. Bruxelles: .
R. Silva, “Chimica, tecnica e formule dei colori nel manoscritto lucchese 1939 del secolo XIV”, Critica d'Arte, vol. 160-162, pp. 27-43, Submitted.
R. Silva, “Chimica, tecnica e formule dei colori nel manoscritto lucchese 1939 del secolo XIV”, Critica d’Arte, vol. n°160-162, pp. 27-43, Submitted.
D. A. Scott, Copper and Bronze in Art: Corrosion, Colorants, Conservation. Los Angeles: , 2002.
R
R. Erich Raspe, A critical Essay on oil-painting (..)to wich are added : Theophilus de arte pingendi, Eraclius de artibus romanorum, and a review of Farinator’s Lumen animae. London: , 1781.
O
M. V. Orna, “Copper-based Synthetic Medieval Blue Pigments”, Archaeological Chemistry. Organic, Inorganic and Biochemical Analysis, pp. 107-115, 1996.
D. Oltrogge, ““Cum sesti et rigula”. L’organisation du savoir technologique dans le Liber Diversarium de Montpellier et dans le De Diversis Artibus de Theophile”, in Encyclopédies Médiévales. Discours et Savoirs, P. Universita Diderot 2004.
D. Oltrogge, “The Cologne database for painting materials and reconstructions”, Art of the Past: Sources and Reconstructions. London, pp. 9-15, Submitted.
L
A. Le Glay, “Catalogue Descriptif et Raisonné des Manuscrits de la Bibliothèque de Cambrai”, 1831.
K
C. Krekel, “Chemische und kulturhistorische Untersuchungen des Buchmalereifarbstoffs folium und ein weiterer Inhaltsstoff aus Chrozophora tinctoria und Mercurialis perennis”, München (Diss.), 1996.
C. Krekel, “Chemische und Kulturhistorische Untersuchungen des Buchmalereifarbstoffs folium und ein weiterer Inhaltsstoff aus Chrozophora tinctoria und Mercurialis perennis”, München (Diss.), 1996.
C. Krekel, “Chemische Struktur historischer Eisengallustinten”, Tintenfraßschäden und ihre Behandlung, pp. 25-37, 1999.
J
R. Parker Johnson, “The « Compositiones ad tingenda »,”, Technical Studies in the Field of the Fine Arts, vol. III.
Hde Graaff J., The colourful Past: The Origins, chemistry and identification of natural dyestuffs. 2004.
I
P. -d’ C. ieteren, Colyn de Coter et la technique picturale des peintres flamands du XVe siècle. Bruxelles: , 1985.
H
V. Eikema M. Hommes, Changing Pictures: Discoloration of 15th - 17th Century Oil Paintings. London: , 2004.
E. Gerda Hickel, Chemikalien im Arzneischatz deutscher Apotheken des 16. Jahrhunderts unter besonderer Berücksichtigung der Metalle. Braunschweig (Diss.): , 1963.