Bibliography

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D. Oltrogge, ““Cum sesti et rigula”. L’organisation du savoir technologique dans le Liber Diversarium de Montpellier et dans le De Diversis Artibus de Theophile”, in Encyclopédies Médiévales. Discours et Savoirs, P. Universita Diderot 2004.
S. C. Arteni and M. de Arteni, S. - P., “Critical evaluation of data on the composition of ancient materials. Part I : structural components of the paint layer. Part II. Paints and techniques”, ICOM-CC 7th Trien. meeting Copenhague. Submitted.
R. Erich Raspe, A critical Essay on oil-painting (..)to wich are added : Theophilus de arte pingendi, Eraclius de artibus romanorum, and a review of Farinator’s Lumen animae. London: , 1781.
D. V. Thompson, The Craftsman’s Handbook. New Haven, 1933, Dover, New York, 1954.: , 1954.
M. V. Orna, “Copper-based Synthetic Medieval Blue Pigments”, Archaeological Chemistry. Organic, Inorganic and Biochemical Analysis, pp. 107-115, 1996.
D. A. Scott, Copper and Bronze in Art: Corrosion, Colorants, Conservation. Los Angeles: , 2002.
I. Villela-Petit, “Copies, reworkings and renewals in late medieval recipe books”, in Nadolny, J. (ed.), Medieval Painting in Nothern Europe: Techniques, Analysis, Art History. Studies in Commemoration of the 70th Birthday of Unn Plahter, London: , Submitted, pp. 167-81.
H. Hedfors, Compositiones ad Tingenda Musiva. Uppsala: , 1932.
R. Parker Johnson, “The « Compositiones ad tingenda »,”, Technical Studies in the Field of the Fine Arts, vol. III.
P. -d’ C. ieteren, Colyn de Coter et la technique picturale des peintres flamands du XVe siècle. Bruxelles: , 1985.
Hde Graaff J., The colourful Past: The Origins, chemistry and identification of natural dyestuffs. 2004.
D. Oltrogge, “The Cologne database for painting materials and reconstructions”, Art of the Past: Sources and Reconstructions. London, pp. 9-15, Submitted.
M. Berthelot, Collection des anciens alchimistes grecs, vol. 3 vol. Paris: .
A. C. Esmeijer, “Cloudscape in theory and practice”, Simiolus, vol. n°3, 1977.
K. Wessely, “Chrysographie”, Wiener Studien : Zeitschrift für classische Philologie, vol. 12, pp. 259-279, 1889.
A. Wallert, “Chrozophora tinctoria Juss.: problems in identifying an illumination colorant”, Restaurator, vol. 11, pp. 141-55, 1990.
R. Silva, “Chimica, tecnica e formule dei colori nel manoscritto lucchese 1939 del secolo XIV”, Critica d’Arte, vol. n°160-162, pp. 27-43, Submitted.
R. Silva, “Chimica, tecnica e formule dei colori nel manoscritto lucchese 1939 del secolo XIV”, Critica d'Arte, vol. 160-162, pp. 27-43, Submitted.
C. Krekel, “Chemische und Kulturhistorische Untersuchungen des Buchmalereifarbstoffs folium und ein weiterer Inhaltsstoff aus Chrozophora tinctoria und Mercurialis perennis”, München (Diss.), 1996.
C. Krekel, “Chemische und kulturhistorische Untersuchungen des Buchmalereifarbstoffs folium und ein weiterer Inhaltsstoff aus Chrozophora tinctoria und Mercurialis perennis”, München (Diss.), 1996.
C. Krekel, “Chemische Struktur historischer Eisengallustinten”, Tintenfraßschäden und ihre Behandlung, pp. 25-37, 1999.
E. Gerda Hickel, Chemikalien im Arzneischatz deutscher Apotheken des 16. Jahrhunderts unter besonderer Berücksichtigung der Metalle. Braunschweig (Diss.): , 1963.
V. Eikema M. Hommes, Changing Pictures: Discoloration of 15th - 17th Century Oil Paintings. London: , 2004.
W. Brückner, “Cera- Cera Virgo - Cera Virginea. EIn Beitrag zu “Wörter und Sachen” und zur Theorie der “ Stoffheiliggkeit””, Zeitschrift für Volkskunde, vol. Bd 59, pp. 233-253, 1963.
D. V. Thompson, Cennino d’Andrea Cennini da Colle di Val d’Elsa. Il Libro dell’arte. New Haven: , 1932.