Bibliography

Found 34 results
Author Title [ Type(Desc)] Year
Filters: First Letter Of Title is C  [Clear All Filters]
Book
H. V. Davies, Catalogue of a collection of early German books in the library of C.F. Murray. London: , 1913.
L. Thorndike and Kibre, F., A catalogue of incipits from mediaeval scientific writings in Latin, revised and augmented edition. Cambridge: The Mediaeval Academy of America, 1963.
D. Waley Singer, Catalogue of Latin and Vernacular Alchemical Manuscripts in Great Britain and Ireland. Bruxelles: .
D. W. Singer, Catalogue of Latin and Vernacular Alchemical Manuscripts in Great Britain and Ireland. Bruxelles: .
, Catalogus Codicum manu scriptorum qui in Bibliotheca Canonicorum Regularum S. Augustini Claustroneoburgi asservantur. losterneuburg: , 1931.
F. Brunello, Cennino Cennini, il libro dell’arte, commentato e annotato da Franco Brunello. Vicenza: , 1982.
F. Brunello and Magagnato, L., Cennino Cennini, Il Libro dell’Arte, (fin XIVe s). Vicenza: , 1971.
D. V. Thompson, Cennino d’Andrea Cennini da Colle di Val d’Elsa. Il Libro dell’arte. New Haven: , 1932.
V. Eikema M. Hommes, Changing Pictures: Discoloration of 15th - 17th Century Oil Paintings. London: , 2004.
E. Gerda Hickel, Chemikalien im Arzneischatz deutscher Apotheken des 16. Jahrhunderts unter besonderer Berücksichtigung der Metalle. Braunschweig (Diss.): , 1963.
M. Berthelot, Collection des anciens alchimistes grecs, vol. 3 vol. Paris: .
Hde Graaff J., The colourful Past: The Origins, chemistry and identification of natural dyestuffs. 2004.
P. -d’ C. ieteren, Colyn de Coter et la technique picturale des peintres flamands du XVe siècle. Bruxelles: , 1985.
H. Hedfors, Compositiones ad Tingenda Musiva. Uppsala: , 1932.
D. A. Scott, Copper and Bronze in Art: Corrosion, Colorants, Conservation. Los Angeles: , 2002.
D. V. Thompson, The Craftsman’s Handbook. New Haven, 1933, Dover, New York, 1954.: , 1954.
R. Erich Raspe, A critical Essay on oil-painting (..)to wich are added : Theophilus de arte pingendi, Eraclius de artibus romanorum, and a review of Farinator’s Lumen animae. London: , 1781.
Book Chapter
A. Le Glay, “Catalogue Descriptif et Raisonné des Manuscrits de la Bibliothèque de Cambrai”, 1831.
I. Villela-Petit, “Copies, reworkings and renewals in late medieval recipe books”, in Nadolny, J. (ed.), Medieval Painting in Nothern Europe: Techniques, Analysis, Art History. Studies in Commemoration of the 70th Birthday of Unn Plahter, London: , Submitted, pp. 167-81.
D. Oltrogge, ““Cum sesti et rigula”. L’organisation du savoir technologique dans le Liber Diversarium de Montpellier et dans le De Diversis Artibus de Theophile”, in Encyclopédies Médiévales. Discours et Savoirs, P. Universita Diderot 2004.
Conference Proceedings
D. Oltrogge, “The Cologne database for painting materials and reconstructions”, Art of the Past: Sources and Reconstructions. London, pp. 9-15, Submitted.
S. C. Arteni and M. de Arteni, S. - P., “Critical evaluation of data on the composition of ancient materials. Part I : structural components of the paint layer. Part II. Paints and techniques”, ICOM-CC 7th Trien. meeting Copenhague. Submitted.
Journal Article
W. J. Wilson, “Catalogue of Latin and Vernacular Alchemical Manuscripts in the United States and Canada”, Osiris, vol. 6, 1939.
W. Brückner, “Cera- Cera Virgo - Cera Virginea. EIn Beitrag zu “Wörter und Sachen” und zur Theorie der “ Stoffheiliggkeit””, Zeitschrift für Volkskunde, vol. Bd 59, pp. 233-253, 1963.
C. Krekel, “Chemische Struktur historischer Eisengallustinten”, Tintenfraßschäden und ihre Behandlung, pp. 25-37, 1999.