Found 34 results
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Journal Article
M. V. Orna, Copper-based Synthetic Medieval Blue Pigments, Archaeological Chemistry. Organic, Inorganic and Biochemical Analysis, pp. 107-115, 1996.
R. Parker Johnson, The « Compositiones ad tingenda »,, Technical Studies in the Field of the Fine Arts, vol. III.
A. C. Esmeijer, Cloudscape in theory and practice, Simiolus, vol. n°3, 1977.
K. Wessely, Chrysographie, Wiener Studien : Zeitschrift für classische Philologie, vol. 12, pp. 259-279, 1889.
A. Wallert, Chrozophora tinctoria Juss.: problems in identifying an illumination colorant, Restaurator, vol. 11, pp. 141-55, 1990.
R. Silva, Chimica, tecnica e formule dei colori nel manoscritto lucchese 1939 del secolo XIV, Critica d’Arte, vol. n°160-162, pp. 27-43, Submitted.
R. Silva, Chimica, tecnica e formule dei colori nel manoscritto lucchese 1939 del secolo XIV, Critica d'Arte, vol. 160-162, pp. 27-43, Submitted.
C. Krekel, Chemische Struktur historischer Eisengallustinten, Tintenfraßschäden und ihre Behandlung, pp. 25-37, 1999.
W. Brückner, Cera- Cera Virgo - Cera Virginea. EIn Beitrag zu “Wörter und Sachen” und zur Theorie der “ Stoffheiliggkeit”, Zeitschrift für Volkskunde, vol. Bd 59, pp. 233-253, 1963.
W. J. Wilson, Catalogue of Latin and Vernacular Alchemical Manuscripts in the United States and Canada, Osiris, vol. 6, 1939.
Book Chapter
D. Oltrogge, “Cum sesti et rigula”. L’organisation du savoir technologique dans le Liber Diversarium de Montpellier et dans le De Diversis Artibus de Theophile, in Encyclopédies Médiévales. Discours et Savoirs, P. Universita Diderot 2004.
I. Villela-Petit, Copies, reworkings and renewals in late medieval recipe books, in Nadolny, J. (ed.), Medieval Painting in Nothern Europe: Techniques, Analysis, Art History. Studies in Commemoration of the 70th Birthday of Unn Plahter, London: , Submitted, pp. 167-81.
A. Le Glay, Catalogue Descriptif et Raisonné des Manuscrits de la Bibliothèque de Cambrai, 1831.