Bibliography

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J. R. Gettens and Fitzhugh, E. W., “Malachite and green verditer”, Studies in Conservation, vol. vol. 19, n°1, pp. 2-23, 1974.
R. Parker Johnson, “The Manuscripts of the Schedula of Theophilus Presbyter.”, Speculum, vol. 13, pp. 86-103, 1938.
R. Parker Johnson, “The Manuscripts of the Schedula of Theophilus Presbyter.”, vol. 13, pp. 86-103, 1938.
J. Corbett, Manuscrits des Bibliothèques de Paris antérieurs au XVIIIe siècle. Bruxelles: .
J. Corbett, “Manuscrits des Bibliothèques de Paris antérieurs au XVIIIe siècle.”, in Catalogues des Manuscrits Alchimiques latins, Bruxelles: .
C. Stanley Smith and Hawthorne, J. G., “Mappae Clavicula, a little Key to the World of Medieval Technique”, Transactions of the American Philosophical Society, vol. N.s.64, pt.4, 1974.
M. A. Way, “Mappae Clavicula : a treatise on the preparation of pigments during the Middle Ages”, Archaeologia, vol. XXXII, 1847.
T. Philipps, “Mappae Clavicula; a Treatise on the Preparation of Pigments During the Middle Ages.”, Archaeologia, vol. 32, pp. 183-244, 1847.
S. Bordini, Materia e immagine. Fonti sulle tecniche della pittura. Roma: , 1991.
J. Plesters and Roy, A., “The materials and technique”, National Gallery Technical Bulletin, vol. X, 1985.
D. Varney Thompson, jr., The Materials and Techniques of Medieval Painting. New York (Reprint): .
C. L. Eastlake, Materials for a History of Oil Painting. London: , 1847.
A. Stijnman, “Materials for art technological source research: theoretical issues”, Art Technology. Sources and Methods. London, pp. 1-6, Submitted.
M. Doerner, The Materials of the Artist and their Use in Painting. London: , 1934.
E. Berger, “The Mayerne Manuscript,( Sloane 2052, BM, London),”, Beiträge zur Entwickelungs- Geschichte der Maltechnik, vol. vol. 4, pp. 92-365, 1901.
M. Levey, “Mediaeval Arabic Bookmaking an dits relation to early chemistry and pharmacology”, Transaction of the American Philosophical Society, vol. 52, 4, 1962.
V. W. Egbert, The Mediaeval artist at work. Princeton: , 1967.
J. Harvey, Mediaeval Craftsman. London: , 1975.
M. Clarke, Mediaeval Painters' Materials and Techniques: The Montpellier Liber diversarum arcium. London: , 2010.
M. F. Edgerton, Jr., “A Mediaeval "Tractatus de coloribus". Together with a Contribution to the Study of the Color-vocabulary of Latin”, Mediaeval Studies, vol. 25, pp. 173-208, 1963.
G. Henslow, Medical Works of the Fourteenth Century. London: , 1899.
D. V. Thompson, “Medieval Color-Making: Tractatus qualiter quilibet artificialis color fieri possit from Paris, B.N., Ms. latin 6749 b”, Isis, vol. 22, pp. 456-468.
D. Varney Thompson, jr., “Medieval Color-Making: Tractatus qualiter quilibet artificialis color fieri possit from Paris, B.N., Ms. latin 6749 b”, Isis, vol. 22, pp. 456-468.
N. Siraisi, Medieval & early renaissance medicine : an introduction to knowledge and practice. 1990.
J. J. G. Alexander, Medieval illuminators and their method of work. New Haven & London: , 1992.