Found 32 results
Author Title Type [ Year(Asc)]
Filters: First Letter Of Title is P  [Clear All Filters]
M. Clarke and Carlyle, L., Page image recipe databases: a new approach to making art technological manuscripts and rare printed sources accessible, Art of the Past: Sources and Reconstructions. London, pp. 49-52, Submitted.
B. Guineau, Villela-Petit, I., and Vezin, J., Painting techniques in the Boucicaut Hours and in Jacques Coene’s colour recipes as found in Jean Lebègue’s Libri Colorum, ROY, A. et SMITH, P. (éd.), Painting Techniques : History, Materials and Studio Practice. Contributions to the Dublin Congress 7-11 September 1998. London, pp. 51-54, Submitted.
D. Oltrogge, Parchment, Painting, Script and Binding: Texts on the Techniques of Manuscript Production from Late Medieval Germany, Care and Conservation of Manuscripts, vol. 5, pp. 78-87, Submitted.
P. N. Miller, Pereisc in the Parisian "Jewel House", in Spanish Habsburg World (16th-18th Centuries), Submitted.
R. Halleaux, Pigments et colorants dans la « Mappae Clavicula », Pigments et Colorants. Teinture, peinture, enluminure depuis l’Antiquité jusqu’à la fin du XIIe siècle. Etudes historiques et Physico-chimiques, Colloque international,. Orléans, Submitted.
B. (éd.) Guineau, Pigments et colorants de l’Antiquité au Moyen Age. Teinture, peinture, enluminure. Etudes historiques et physico-chimiques. Paris, Submitted.
M. Pastoureau, Pour une histoire des teinturiers médiévaux, Il colore nel medioevo, arte, simbolo, tecnica, atti delle Giornate di Studi, Lucca, 2,3,4 maggio 1996. Lucca, pp. 7-39, Submitted.
J. Nadolny, A problem of methodology : Merrifield, Eastlake and the use of oil-based media by medieval English painters, Verger, I. (ed), ICOM-CC 14th Triennial Meeting Preprints. London, pp. 1028-33, Submitted.
S. Bucklow, Paradigms and Pigment Recipes : Silver and Mercury Blues, Zeitschrift für Kunsttechnologie und Konservierung, vol. 15, pp. 25-33, 2001.
R. Fuchs, Pergament. Material - Geschichte - Restaurierun, in Robert Fuchs, Christiane Meinert, Johannes Schrempf: Pergament. Geschichte - Material - Konservierung - Restaurierun, Köln: , 2001, pp. 9-110.
S. Bucklow, Paradigms and Pigment Recipes : Natural Ultramarine, Zeitschrift für Kunsttechnologie und Konservierung, vol. 14, pp. 5-14, 2000.
, Pharmacy Price-lists as a new type of Documentary Source for Research into Historical Artists’Material: The Münchner Taxenprojekt, Dyes in History and Archaeology, vol. 19, pp. 32-36, 2000.
S. Bucklow, Paradigms and Pigment Recipes : Vermilion, Synthetic Yellows and the Nature of Egg, Zeitschrift für Kunsttechnologie und Konservierung, vol. 13, pp. 140-149, 1999.
M. Pastoureau, Pour une histoire des couleurs, Techne, La couleur et ses pigments, vol. n°1, pp. 6-8, 1996.
A. Massing, Painting materials and techniques. Towards a bibliography of the french literature before 1800, Feitschrift in honour of Professor Straub, 1990.
G. - J. Aillaud, Pastel et Indigo ou les origines du bleu, Revue d´histoire de la pharmacie, vol. 78, pp. 13-20, 1990.
S. Bergeon, Painting Technique: Priming, Coloured Paint Film and Varnish, Art History and Laboratory Scientific Examination of Easel Paintings., vol. Pact. 13, pp. 35-62, 1986.
B. S. Hall, Production et diffusion de certains traités de techniques au Moyen Age, Cahiers d’études Médiévales, Les arts mécaniques au Moyen Age, vol. 7, pp. 147-170, 1982.
L. Van Acker, Petri Pictoris Carmina nec non Petri de Sancto Audemaro Librum de Coloribus Faciendis, in Corpus Christianorum, Continuatio Mediaeualis, vol. 25, Turnhout: , 1972.
R. - R. H. and Werner, A. E. A., The pigments and medium of the Lindisfarne Gospels, in Codex Lindisfarnensis, vol. vol. 2, Basel: , 1960, pp. 263-272.