History of technique in the arts, 1500-1950
Bibliography
] , “Page image recipe databases: a new approach to making art technological manuscripts and rare printed sources accessible”, Art of the Past: Sources and Reconstructions. London, pp. 49-52, Submitted.
, “Painting techniques in the Boucicaut Hours and in Jacques Coene’s colour recipes as found in Jean Lebègue’s Libri Colorum”, ROY, A. et SMITH, P. (éd.), Painting Techniques : History, Materials and Studio Practice. Contributions to the Dublin Congress 7-11 September 1998. London, pp. 51-54, Submitted.
, “Parchment, Painting, Script and Binding: Texts on the Techniques of Manuscript Production from Late Medieval Germany”, Care and Conservation of Manuscripts, vol. 5, pp. 78-87, Submitted.
, “Pereisc in the Parisian "Jewel House"”, in Spanish Habsburg World (16th-18th Centuries), Submitted.
, “Pigments et colorants dans la « Mappae Clavicula »”, Pigments et Colorants. Teinture, peinture, enluminure depuis l’Antiquité jusqu’à la fin du XIIe siècle. Etudes historiques et Physico-chimiques, Colloque international,. Orléans, Submitted.
, “Pigments et colorants de l’Antiquité au Moyen Age. Teinture, peinture, enluminure. Etudes historiques et physico-chimiques”. Paris, Submitted.
, “Pour une histoire des teinturiers médiévaux”, Il colore nel medioevo, arte, simbolo, tecnica, atti delle Giornate di Studi, Lucca, 2,3,4 maggio 1996. Lucca, pp. 7-39, Submitted.
, “A problem of methodology : Merrifield, Eastlake and the use of oil-based media by medieval English painters”, Verger, I. (ed), ICOM-CC 14th Triennial Meeting Preprints. London, pp. 1028-33, Submitted.
, The production of stained glass in the country of Flanders and the duchy of Brabant from the XVth to the XVIIIth centuries: materials and techniques. Turnhout: Brepols publishers, 2009, p. 456.
, “Paradigms and Pigment Recipes : Silver and Mercury Blues”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 15, pp. 25-33, 2001.
, “Pergament. Material - Geschichte - Restaurierun”, in Robert Fuchs, Christiane Meinert, Johannes Schrempf: Pergament. Geschichte - Material - Konservierung - Restaurierun, Köln: , 2001, pp. 9-110.
, “Paradigms and Pigment Recipes : Natural Ultramarine”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 14, pp. 5-14, 2000.
, “Pharmacy Price-lists as a new type of Documentary Source for Research into Historical Artists’Material: The Münchner Taxenprojekt”, Dyes in History and Archaeology, vol. 19, pp. 32-36, 2000.
, “Paradigms and Pigment Recipes : Vermilion, Synthetic Yellows and the Nature of Egg”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 13, pp. 140-149, 1999.
, “Pour une histoire des couleurs”, Techne, La couleur et ses pigments, vol. n°1, pp. 6-8, 1996.
, Painters, Medieval Crafstmen. London: , 1991.
, “Painting materials and techniques. Towards a bibliography of the french literature before 1800”, Feitschrift in honour of Professor Straub, 1990.
, “Pastel et Indigo ou les origines du bleu”, Revue d´histoire de la pharmacie, vol. 78, pp. 13-20, 1990.
, Petri de Sancto Audemaro, Liber de coloribus, traduzione e note. Como: , 1988.
, “Painting Technique: Priming, Coloured Paint Film and Varnish”, Art History and Laboratory Scientific Examination of Easel Paintings., vol. Pact. 13, pp. 35-62, 1986.
, “Production et diffusion de certains traités de techniques au Moyen Age”, Cahiers d’études Médiévales, Les arts mécaniques au Moyen Age, vol. 7, pp. 147-170, 1982.
, “Petri Pictoris Carmina nec non Petri de Sancto Audemaro Librum de Coloribus Faciendis”, in Corpus Christianorum, Continuatio Mediaeualis, vol. 25, Turnhout: , 1972.
, The Painter’s Methods and Materials. New York: , 1966.
, “The pigments and medium of the Lindisfarne Gospels”, in Codex Lindisfarnensis, vol. vol. 2, Basel: , 1960, pp. 263-272.