Bibliography

Found 32 results
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V
L. Van Acker, “Petri Pictoris Carmina nec non Petri de Sancto Audemaro Librum de Coloribus Faciendis”, in Corpus Christianorum, Continuatio Mediaeualis, vol. 25, Turnhout: , 1972.
T
D. V. Thompson, The practice of tempera painting. Materials and Methods. New York: , 1936.
P
M. Pastoureau, “Pour une histoire des couleurs”, Techne, La couleur et ses pigments, vol. n°1, pp. 6-8, 1996.
M. Pastoureau, “Pour une histoire des teinturiers médiévaux”, Il colore nel medioevo, arte, simbolo, tecnica, atti delle Giornate di Studi, Lucca, 2,3,4 maggio 1996. Lucca, pp. 7-39, Submitted.
O
D. Oltrogge, “Parchment, Painting, Script and Binding: Texts on the Techniques of Manuscript Production from Late Medieval Germany”, Care and Conservation of Manuscripts, vol. 5, pp. 78-87, Submitted.
N
J. Nadolny, “A problem of methodology : Merrifield, Eastlake and the use of oil-based media by medieval English painters”, Verger, I. (ed), ICOM-CC 14th Triennial Meeting Preprints. London, pp. 1028-33, Submitted.
M
P. N. Miller, “Pereisc in the Parisian "Jewel House"”, in Spanish Habsburg World (16th-18th Centuries), Submitted.
A. Massing, “Painting materials and techniques. Towards a bibliography of the french literature before 1800”, Feitschrift in honour of Professor Straub, 1990.
F. Margival, “Pigments et peinture au Moyen Age”, Peinture, pigments, vernis, vol. 36, 1960.
L
A. P. Laurie, The pigments and mediums of the old masters, with a special chapter on the microphotographic study of brushwork. London: , 1926.
A. P. Laurie, “Pigments, Mediums and Technical Methods of Classical and Mediaeval Painters”, Journal of Chemical Society, pp. 163-169, 1937.
A. P. Laurie, The Painter’s Methods and Materials. New York: , 1966.
J
O. Johannsen, Peder Månssons Schriften über technische Chemie und Hüttenwesen. Eine Quelle zur Geschichte der Technik des Mittelalters. Berlin: , 1941.
H
G. Hurst, Painter’s colours, oils and varnishes. London: , 1892.
G. Heydenreich, Painting Materials, Techniques and Workshop Practice of Lucas Cranach the Elder. London: , 2002.
R. Halleaux, “Pigments et colorants dans la « Mappae Clavicula »”, Pigments et Colorants. Teinture, peinture, enluminure depuis l’Antiquité jusqu’à la fin du XIIe siècle. Etudes historiques et Physico-chimiques, Colloque international,. Orléans, Submitted.
B. S. Hall, “Production et diffusion de certains traités de techniques au Moyen Age”, Cahiers d’études Médiévales, Les arts mécaniques au Moyen Age, vol. 7, pp. 147-170, 1982.
R. - R. H. and Werner, A. E. A., “The pigments and medium of the Lindisfarne Gospels”, in Codex Lindisfarnensis, vol. vol. 2, Basel: , 1960, pp. 263-272.
G
B. (éd.) Guineau, “Pigments et colorants de l’Antiquité au Moyen Age. Teinture, peinture, enluminure. Etudes historiques et physico-chimiques”. Paris, Submitted.
B. Guineau, Villela-Petit, I., and Vezin, J., “Painting techniques in the Boucicaut Hours and in Jacques Coene’s colour recipes as found in Jean Lebègue’s Libri Colorum”, ROY, A. et SMITH, P. (éd.), Painting Techniques : History, Materials and Studio Practice. Contributions to the Dublin Congress 7-11 September 1998. London, pp. 51-54, Submitted.
R. J. Gettens and Stout, L., Painting Materials. A Short Encyclopaedia. New York: .
F
R. Fuchs, “Pergament. Material - Geschichte - Restaurierun”, in Robert Fuchs, Christiane Meinert, Johannes Schrempf: Pergament. Geschichte - Material - Konservierung - Restaurierun, Köln: , 2001, pp. 9-110.
C
M. Clarke and Carlyle, L., “Page image recipe databases: a new approach to making art technological manuscripts and rare printed sources accessible”, Art of the Past: Sources and Reconstructions. London, pp. 49-52, Submitted.
J. M. A. Caen, The production of stained glass in the country of Flanders and the duchy of Brabant from the XVth to the XVIIIth centuries: materials and techniques. Turnhout: Brepols publishers, 2009, p. 456.
B
S. Bucklow, “Paradigms and Pigment Recipes : Silver and Mercury Blues”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 15, pp. 25-33, 2001.