Bibliography

Found 36 results
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, Sredniowieczne Kompendium wiedzy o barwnikach, Kwartalnik Historii Kultury Materialnej, vol. XXII, pp. 663-71, 1974.
A
J. Andre, Sources et évolution du vocabulaire des couleurs en latin, in Problèmes de la couleur. Exposés et discussions du colloque du Centre de recherches de psychologie comparative tenu à Paris les 18, 19 et 20 mai 1954, (réunis et présentés par Ignace Meyerson), Paris: , 1957, pp. 327-338.
S. - C. Arteni, The Strasbourg Manuscript, a compendium of Van Eyck’materials and techniques, The 14th World Congress of the International Society for Fat Research. Proceeding of Sections Lipids in Art. Brighton, Submitted.
C
C. Cailhol, Sources bibliographiques pour l’étude des pigments utilisés en peinture jusqu’au XVe siècle, Revue des Sociétés Savantes de Haute Normandie, vol. XX, 1960.
E. R. Caley, The Stockholm Papyrus X, Journal of Chemical Education, vol. IV, 1927.
P. Carofano, Sulle Ricette di Pittura del Trattato di Théodore Turquet de Mayerne, La Diana, annuario della scuola di specializzazione in archeologia e storia dell´arte dell´universitá degli studi di Siena, vol. 1, pp. 147-180, 1995.
G. B. Cavalcaselle and Crowe, A. J., Storia dell’antica pittura fiamminga. Firenze: , 1889.
F
J. Ferguson, Some Early Treaties on Technological Chemistry, Read to the philosophical society of Glasgow, January 6, 1886th ed. Glasgow: Robert Anderson, 22 Ann Street, 1888.
R. J. Forbes, Studies in ancient technology. Leiden: .
R. Fuchs and Oltrogge, D., Scientific analysis of medieval book-illumination as a resource for the art historian and conservator, Gazette du livre médiéval, vol. n°21, pp. 29-34, 1992.
R. Fuchs and Oltrogge, D., Secreta colorum - Geheimnisse aus mittelalterlichen Skriptorien. Untersuchungen zur Echternacher Handschriftenproduktion, in Luxembourg : B.N.L. (Bibliothèque Nationale de Luxembourg), 2001., 2001, pp. 107-124.
H
W. W. Hermann, Jr, A sixteenth-century German Treatise, Von Stahel und eysen, translated with explanatory notes, Technical Studies in the Field of Fine Arts, vol. IV, 2, pp. 63-92, 1935.
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