Bibliography

H. Kuhn, “Safran und dessen Nachweis durch Infrarotspektrographie in Malerei und Kunsthandwerks”, in Leitz-Mitteilungen für Wissenschaft und Technik, vol. Bd. II, 1961, pp. 24-28.

J. Ruska, “Sal ammoniacus, Nusadir und Salmiak”, Isis, vol. 6, p. 216, 1923.

D. V. Thompson, “The Schedula of Theophilus Presbyter”, Speculum, vol. VII, pp. 199-220, 1932.

O. Lehman-Brockhaus, Schriftquellen zur Kunstgeschichte des 11 und 12 Jahrhunderts für Deutschland, Lothringen und Italien. Berlin: , 1938.

W. Eamon, Science and the secrets of nature: books of secrets in medieval and early modern culture. 1994.

R. Fuchs and Oltrogge, D., “Scientific analysis of medieval book-illumination as a resource for the art historian and conservator”, Gazette du livre médiéval, vol. n°21, pp. 29-34, 1992.

C. De Hamel, Scribes and Illuminators, Mediaeval Craftsmen. London: , 1992.

V. Trost, Scriptorium: book production in the Middle Ages. Heidelberg: , 1986.

J. - F. Watin, Seconde édition revue, corrigée & considérablement augmentée., Second. Grangé, imprimeur-libraire, au Cabinet Littéraire, Pont Notre-Dame, 1774, p. 356.

R. Fuchs and Oltrogge, D., “Secreta colorum - Geheimnisse aus mittelalterlichen Skriptorien. Untersuchungen zur Echternacher Handschriftenproduktion”, in Luxembourg : B.N.L. (Bibliothèque Nationale de Luxembourg), 2001., 2001, pp. 107-124.

J. Maroger, The secret formulas and techniques of the masters. London, New York: .

W. Ward, The Secrets of the reverend Maister Alexis of Piemont, containing excellent remedies against diverse deseases, wounds, and other accidents, with the maner to make Distillations, Parfumes, Confitures, Dyings, Colours, Fusions, and Meltings. London: Peter Shon, 1595.

W. W. Hermann, Jr, “A sixteenth-century German Treatise, Von Stahel und eysen, translated with explanatory notes”, Technical Studies in the Field of Fine Arts, vol. IV, 2, pp. 63-92, 1935.

R. Parker Johnson, “Some Continental Manuscripts of the Mappae Clavicula.”, Speculum, vol. 12, pp. 84-103, 1937.

R. Parker Johnson, “Some Continental Manuscripts of the Mappae Clavicula.”, Speculum, vol. 12, pp. 84-103, 1937.

J. Ferguson, Some Early Treaties on Technological Chemistry, Read to the philosophical society of Glasgow, January 6, 1886th ed. Glasgow: Robert Anderson, 22 Ann Street, 1888.

L. Thorndike, “Some Medieval Texts on Colours.”, Ambix, vol. 7 (1), pp. 1-24, 1959.

L. Thorndike, “Some Medieval Texts on Colours”, Ambix, vol. 7 (1), pp. 1-24, 1959.

C. Cailhol, “Sources bibliographiques pour l’étude des pigments utilisés en peinture jusqu’au XVe siècle”, Revue des Sociétés Savantes de Haute Normandie, vol. XX, 1960.

J. Andre, “Sources et évolution du vocabulaire des couleurs en latin”, in Problèmes de la couleur. Exposés et discussions du colloque du Centre de recherches de psychologie comparative tenu à Paris les 18, 19 et 20 mai 1954, (réunis et présentés par Ignace Meyerson), Paris: , 1957, pp. 327-338.

S. Kaeppele, “Spätmittelalterliche Farbrezepte in einer Handschrift der Bibliotheca Palatina (Cod. pal. germ. 676)”, Magisterarbeit Universität Heidelberg, 1996.

, “Sredniowieczne Kompendium wiedzy o barwnikach”, Kwartalnik Historii Kultury Materialnej, vol. XXII, pp. 663-71, 1974.

E. R. Caley, “The Stockholm Papyrus X”, Journal of Chemical Education, vol. IV, 1927.

G. B. Cavalcaselle and Crowe, A. J., Storia dell’antica pittura fiamminga. Firenze: , 1889.

S. - C. Arteni, “The Strasbourg Manuscript, a compendium of Van Eyck’materials and techniques”, The 14th World Congress of the International Society for Fat Research. Proceeding of Sections Lipids in Art. Brighton, Submitted.