Bibliography

J. Maroger, The secret formulas and techniques of the masters. London, New York: .

R. J. Forbes, Studies in ancient technology. Leiden: .

S. Waetzoldt, “Systematisches verzeichnis der Farbnamen”, Münchner Jahrbuch der Bildenden Kunst, pp. 6-14.

W. Ward, The Secrets of the reverend Maister Alexis of Piemont, containing excellent remedies against diverse deseases, wounds, and other accidents, with the maner to make Distillations, Parfumes, Confitures, Dyings, Colours, Fusions, and Meltings. London: Peter Shon, 1595.

J. - F. Watin, Seconde édition revue, corrigée & considérablement augmentée., Second. Grangé, imprimeur-libraire, au Cabinet Littéraire, Pont Notre-Dame, 1774, p. 356.

J. Ferguson, Some Early Treaties on Technological Chemistry, Read to the philosophical society of Glasgow, January 6, 1886th ed. Glasgow: Robert Anderson, 22 Ann Street, 1888.

G. B. Cavalcaselle and Crowe, A. J., Storia dell’antica pittura fiamminga. Firenze: , 1889.

J. Ruska, “Sal ammoniacus, Nusadir und Salmiak”, Isis, vol. 6, p. 216, 1923.

E. R. Caley, “The Stockholm Papyrus X”, Journal of Chemical Education, vol. IV, 1927.

D. V. Thompson, “The Schedula of Theophilus Presbyter”, Speculum, vol. VII, pp. 199-220, 1932.

J. J. Tikkanen, Studien über die Farbgebung in der Mittelalterlichen Buchmalerei. Helsingfors: , 1933.

D. V. Thompson, “The Study of Mediaeval craftmanship”, Bulletin of the Fogg Art Museum, vol. VIII, 1934.

W. W. Hermann, Jr, “A sixteenth-century German Treatise, Von Stahel und eysen, translated with explanatory notes”, Technical Studies in the Field of Fine Arts, vol. IV, 2, pp. 63-92, 1935.

R. Parker Johnson, “Some Continental Manuscripts of the Mappae Clavicula.”, Speculum, vol. 12, pp. 84-103, 1937.

R. Parker Johnson, “Some Continental Manuscripts of the Mappae Clavicula.”, Speculum, vol. 12, pp. 84-103, 1937.

O. Lehman-Brockhaus, Schriftquellen zur Kunstgeschichte des 11 und 12 Jahrhunderts für Deutschland, Lothringen und Italien. Berlin: , 1938.

E. Ploss, Studien zu den deutschen Maler- und Färberbüchern des Mittelalters. München: , 1952.

J. Andre, “Sources et évolution du vocabulaire des couleurs en latin”, in Problèmes de la couleur. Exposés et discussions du colloque du Centre de recherches de psychologie comparative tenu à Paris les 18, 19 et 20 mai 1954, (réunis et présentés par Ignace Meyerson), Paris: , 1957, pp. 327-338.

L. Thorndike, “Some Medieval Texts on Colours.”, Ambix, vol. 7 (1), pp. 1-24, 1959.

L. Thorndike, “Some Medieval Texts on Colours”, Ambix, vol. 7 (1), pp. 1-24, 1959.

C. Cailhol, “Sources bibliographiques pour l’étude des pigments utilisés en peinture jusqu’au XVe siècle”, Revue des Sociétés Savantes de Haute Normandie, vol. XX, 1960.

H. Kuhn, “Safran und dessen Nachweis durch Infrarotspektrographie in Malerei und Kunsthandwerks”, in Leitz-Mitteilungen für Wissenschaft und Technik, vol. Bd. II, 1961, pp. 24-28.

D. Goltz, “Studien zur Geschichte der Mineralnamen in Pharmazie, Chemie und Medizin von den Anfängen bis Paracelsus.”, Sudhoffs Archiv, 1972.

, “Sredniowieczne Kompendium wiedzy o barwnikach”, Kwartalnik Historii Kultury Materialnej, vol. XXII, pp. 663-71, 1974.

M. V. Orna, Low, M. J. D., and Baer, N. S., “Synthetic blue Pigments : Ninth to Sixteenth Centuries. I. Literature”, Studies in Conservation, vol. 25, pp. 53-63, 1980.