Bibliography

Found 51 results
Author Title Type [ Year(Asc)]
Filters: First Letter Of Title is A  [Clear All Filters]
1973
F. Brunello, The Art of Dyeing in the history of manking. Venice: , 1973.
1970
E. E. Ploss, H. Runge, R., and Schipperges, H., Alchimica, Ideologie und Technologie. München: , 1970.
R. Mayer, The artist’s handbook of materials and techniques. New-York: , 1970.
R. D. Harley, Artist’s Pigments, c 1600-1835. London: , 1970.
1969
A. C. Crombie, Augustine to galileo. T. 2, Science in the later middle ages and early modern times 13th to 17 th centuries. 1969.
1968
A. Raft, “About Theophilus ‘Blue Color’ « Lazur »,”, Studies in Conservation, vol. 13, pp. 1-6, 1968.
1966
J. R. Gettens and Fitzhugh, E. W., “Azurite and blue verditer”, Studies in Conservation, vol. vol. 11, pp. 54-61, 1966.
1936
W. J. Wilson, “An Alchemical Manuscript by Arnaldus de Bruxella”, Osiris, vol. 2, pp. 220-405, 1936.
L. Thorndike, “Alchemical Writings in Vatican Palatine and Certain Other Continental Latin Manuscripts”, Speculum, vol. XI, pp. 370-83, 1936.
1933
D. V. Thompson and Hamilton, G. H., An Anonymous Fourteenth-century Treatise : De Arte Illuminandi. The Technique of Manuscript Illumination. New Haven: , 1933.
D. V. Thompson, “Artificial Vermilion in the Middle Ages”, Technical Studies in the Field of the Fine Arts, vol. II, pp. 62-70, 1933.
1932
C. E. Power, The Art of Limming. 1932.
1930
J. Stuart Beddie, “The ancient classics in the mediaeval librairies”, Speculum, vol. vol. 5, pp. 3-20, 1930.
D. W. Singer, “Appendix to Cambridge, Gonville and Caius College, Ms 181”, Isis, vol. XIII, pp. 5-15, 1930.
1927
E. Darmstaedter, “Abhandlungen. Einsenhärtung mit pflanzen”, Geschichtsblätter für Technik, vol. 11,3, p. 163-, 1927.
1906
M. Berthelot, Archéologie et histoire des sciences avec publication nouvelle du papyrus grec chimique de Leyde et impression originale du Liber de Septuaginta de Geber. Paris: , 1906.
1896
, “Atramentum”, RE, vol. II, 2, pp. col. 2135-2136, 1896.
1895
, “Arsenicum”, RE, vol. II, 1, pp. col. 1271-1272, 1895.
1894
, “Antimonium”, RE, vol. 1, 2, pp. col. 2435-2438, 1894.
1874
H. Hagen, “Anonymus Bernensis über die Bindemittel und das Coloriren von Initialen. Mit einer Notiz über die Quellenliteratur der Eitemperatechnik von Albert Ilg.”, in Quellenschriften für Kunstgeschichte, vol. VII, Wien: , 1874.
1852
W. Linton, Ancient and Modern colors from the earliest periods to the present time with their chemical and artistical properties. London: , 1852.
1836
F. Böhmer, “Alte Farbenrecepte”, in Mone, F.J., Anzeiger für Kunde der deutschen Vorzeit, vol. V, 1836, pp. 90-91.
1528
P. Kertzenmacher, Alchimia. Wie man alle farben / wasser / olea / salia vnd alumina / damit mann alle corpora / spiritus vnd calces preparirt / sublimiert vnd fixirt machen soll. Vnd wie mann dise ding nutze auf das Sol vnd Luna werden mög. Auch vom soluiren vnnd schaidun. Straßburg (Cammerlander): , 1528.
0
J. Bersch, Allgemeine Waarenkunde. Handbuch für Kaufleute und Gewerbetreibende. Wien, Pest, Leipzig (A. Hartleben): .
L. Kockaert and Verrier, M., “Application des colorations à l’identification des liants de Van Eyck”, Bulletin de l’Institut Royal du Patrimoine Artistique, vol. XVII, pp. 122-126.