Bibliography

Found 51 results
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Book Chapter
A. Burmester and Krekel, C., “Azzuri oltramarini, lacche et altri colori fini: Auf der Suche nach der verlorenen Farbe”, in Tintoretto - Der Gonzage- Zyklus. Hrsg. von Cornelia Syre, München: , 2000, pp. 193-211.
Conference Proceedings
X. (Dir.) Barral y Altet, “Artistes, artisans et production artistique au Moyen-Age.”, Colloque international, Rennes 2-6 mai 1983, vol. 3 vol. Paris, Submitted.
R. D. Harley, “Artist’s Brushes. Historical evidence from the Sixteenth to the Nineteenth Century”, Conservation and restoration of pictorial art, Atti del 5° Congresso Internazionale dell’International Institute for Conservation. Lisbon, Submitted.
M. Clarke, Townsend, J. H., and Stijnman, A. (eds), “Art of the Past: Sources and Reconstructions”. Submitted.
S. Kroustallis, Townsend, J. H., E. Bruquetas, C., Stijnman, A., and M. Moya, S. Andres, “Art Technology. Sources and Methods”. Submitted.
M. Clarke, “Asymptotically approaching the past: historiography and critical use of sources in art technological”, Art Technology. Sources and Methods. London, pp. 16-22, Submitted.
Journal Article
E. Darmstaedter, “Abhandlungen. Einsenhärtung mit pflanzen”, Geschichtsblätter für Technik, vol. 11,3, p. 163-, 1927.
A. Raft, “About Theophilus ‘Blue Color’ « Lazur »,”, Studies in Conservation, vol. 13, pp. 1-6, 1968.
W. J. Wilson, “An Alchemical Manuscript by Arnaldus de Bruxella”, Osiris, vol. 2, pp. 220-405, 1936.
L. Thorndike, “Alchemical Writings in Vatican Palatine and Certain Other Continental Latin Manuscripts”, Speculum, vol. XI, pp. 370-83, 1936.
B. Guineau, “Analyse non destructive des pigments par microsonde Raman laser : exemples de l’azurite et de la malachite”, Studies in Conservation, vol. 29, pp. 35-41, 1984.
M. Clarke, “The Analysis of medieval European manuscripts”, Reviews in Conservation, vol. 2, pp. 3-15, 2001.
R. Fuchs, “The analysis of plant dyes in medieval book illuminations”, Dyes in History and Archaeology, vol. 16, Submitted.
J. Stuart Beddie, “The ancient classics in the mediaeval librairies”, Speculum, vol. vol. 5, pp. 3-20, 1930.
, “Antimonium”, RE, vol. 1, 2, pp. col. 2435-2438, 1894.
W. L. Braekman, “Antwerpse ‘consten ende secreten voor verlichters en afsetters van gedrukte prenten”, VMKANTL, pp. 78-152, 1994.
D. W. Singer, “Appendix to Cambridge, Gonville and Caius College, Ms 181”, Isis, vol. XIII, pp. 5-15, 1930.
L. Kockaert and Verrier, M., “Application des colorations à l’identification des liants de Van Eyck”, Bulletin de l’Institut Royal du Patrimoine Artistique, vol. XVII, pp. 122-126.
A. Wallert, “Aquae conficiendae ad temperandos omnes colores: Manuscript in the Leiden University Library, Voss. Chym. Oct. 6.”, Technologiae artis, vol. 3, pp. 134-146, 1993.
W. Eamon, “Arcana disclosed: the advent of printing, the books of secrets tradition and the development of experimental science in the sixteenth century”, History of science, vol. no. 56; 22, pp. 111-150.
M. Kowalczyk, “Ars de omnibus coloribus”, Studia Mediewistyczne, vol. 18, pp. 165-174, 1977.
, “Arsenicum”, RE, vol. II, 1, pp. col. 1271-1272, 1895.
D. V. Thompson, “Artificial Vermilion in the Middle Ages”, Technical Studies in the Field of the Fine Arts, vol. II, pp. 62-70, 1933.
, “Atramentum”, RE, vol. II, 2, pp. col. 2135-2136, 1896.
C. Rötter, “Auripigment. Genauere Betrachtung eines historischen Farbmittels”, Restauro, vol. 109.6, pp. 408-413, 2003.