Bibliography

Found 32 results
[ Author(Desc)] Title Type Year
Filters: First Letter Of Title is P  [Clear All Filters]
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
M
P. N. Miller, “Pereisc in the Parisian "Jewel House"”, in Spanish Habsburg World (16th-18th Centuries), Submitted.
N
J. Nadolny, “A problem of methodology : Merrifield, Eastlake and the use of oil-based media by medieval English painters”, Verger, I. (ed), ICOM-CC 14th Triennial Meeting Preprints. London, pp. 1028-33, Submitted.
O
D. Oltrogge, “Parchment, Painting, Script and Binding: Texts on the Techniques of Manuscript Production from Late Medieval Germany”, Care and Conservation of Manuscripts, vol. 5, pp. 78-87, Submitted.
P
M. Pastoureau, “Pour une histoire des couleurs”, Techne, La couleur et ses pigments, vol. n°1, pp. 6-8, 1996.
M. Pastoureau, “Pour une histoire des teinturiers médiévaux”, Il colore nel medioevo, arte, simbolo, tecnica, atti delle Giornate di Studi, Lucca, 2,3,4 maggio 1996. Lucca, pp. 7-39, Submitted.
T
D. V. Thompson, The practice of tempera painting. Materials and Methods. New York: , 1936.
V
L. Van Acker, “Petri Pictoris Carmina nec non Petri de Sancto Audemaro Librum de Coloribus Faciendis”, in Corpus Christianorum, Continuatio Mediaeualis, vol. 25, Turnhout: , 1972.