Bibliography

Found 32 results
Author Title Type [ Year(Desc)]
Filters: First Letter Of Title is P  [Clear All Filters]
Submitted
B. Guineau, Villela-Petit, I., and Vezin, J., Painting techniques in the Boucicaut Hours and in Jacques Coene’s colour recipes as found in Jean Lebègue’s Libri Colorum, ROY, A. et SMITH, P. (éd.), Painting Techniques : History, Materials and Studio Practice. Contributions to the Dublin Congress 7-11 September 1998. London, pp. 51-54, Submitted.
D. Oltrogge, Parchment, Painting, Script and Binding: Texts on the Techniques of Manuscript Production from Late Medieval Germany, Care and Conservation of Manuscripts, vol. 5, pp. 78-87, Submitted.
P. N. Miller, Pereisc in the Parisian "Jewel House", in Spanish Habsburg World (16th-18th Centuries), Submitted.
R. Halleaux, Pigments et colorants dans la « Mappae Clavicula », Pigments et Colorants. Teinture, peinture, enluminure depuis l’Antiquité jusqu’à la fin du XIIe siècle. Etudes historiques et Physico-chimiques, Colloque international,. Orléans, Submitted.
B. (éd.) Guineau, Pigments et colorants de l’Antiquité au Moyen Age. Teinture, peinture, enluminure. Etudes historiques et physico-chimiques. Paris, Submitted.
M. Pastoureau, Pour une histoire des teinturiers médiévaux, Il colore nel medioevo, arte, simbolo, tecnica, atti delle Giornate di Studi, Lucca, 2,3,4 maggio 1996. Lucca, pp. 7-39, Submitted.
J. Nadolny, A problem of methodology : Merrifield, Eastlake and the use of oil-based media by medieval English painters, Verger, I. (ed), ICOM-CC 14th Triennial Meeting Preprints. London, pp. 1028-33, Submitted.