Bibliography

Found 45 results
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L
P. Coremans, Gettens, R. J., and Thissen, J., “La technique des Primitifs flamands. Etude scientifique des matériaux, de la structure et de la technique picturale”, Studies in Conservation, vol. I, pp. 1-29, 1952.
J. R. Gettens, Kuhn, H., and Chase, W. T., “Lead White”, Studies in Conservation, vol. vol.12, pp. 125-139, 1967.
D. Cardon, Le monde des teintures naturelles. Paris: , 2003.
D. Cardon, “Les échanges de teintures rouges entre l’Orient et l’Occident jusqu’aux grandes découvertes”, CIETA, vol. 67, pp. 27-34, 1989.
P. & al. Coremans, Les Primitifs flamands. III. Contributions à l’étude des Primitifs flamands. 2. L’Agneau Mystique au laboratoire : Examen et traitement. Anvers: , 1953.
E. R. Caley, “The Leyden Papyrus X”, Journal of Chemical Education, vol. III, 1926.
M
J. Corbett, Manuscrits des Bibliothèques de Paris antérieurs au XVIIIe siècle. Bruxelles: .
J. Corbett, “Manuscrits des Bibliothèques de Paris antérieurs au XVIIIe siècle.”, in Catalogues des Manuscrits Alchimiques latins, Bruxelles: .
M. Clarke, Mediaeval Painters' Materials and Techniques: The Montpellier Liber diversarum arcium. London: , 2010.
L. Campbell, “Methods and materials of Nothern European painting in the National Gallery, 1400-1550”, National Gallery. Technical Bulletin. Early Nothern European Painting, vol. XVIII, pp. 6-55, 1997.
P
M. Clarke and Carlyle, L., “Page image recipe databases: a new approach to making art technological manuscripts and rare printed sources accessible”, Art of the Past: Sources and Reconstructions. London, pp. 49-52, Submitted.
M. Clarke and Carlyle, L., “Page image recipe databases: a new approach to making art technological manuscripts and rare printed sources accessible”, Art of the Past: Sources and Reconstructions. London, pp. 49-52, Submitted.
B. (éd.) Guineau, “Pigments et colorants de l’Antiquité au Moyen Age. Teinture, peinture, enluminure. Etudes historiques et physico-chimiques”. Paris, Submitted.
J. M. A. Caen, The production of stained glass in the country of Flanders and the duchy of Brabant from the XVth to the XVIIIth centuries: materials and techniques. Turnhout: Brepols publishers, 2009, p. 456.
S
C. Cailhol, “Sources bibliographiques pour l’étude des pigments utilisés en peinture jusqu’au XVe siècle”, Revue des Sociétés Savantes de Haute Normandie, vol. XX, 1960.
E. R. Caley, “The Stockholm Papyrus X”, Journal of Chemical Education, vol. IV, 1927.
G. B. Cavalcaselle and Crowe, A. J., Storia dell’antica pittura fiamminga. Firenze: , 1889.
G. B. Cavalcaselle and Crowe, A. J., Storia dell’antica pittura fiamminga. Firenze: , 1889.
P. Carofano, “Sulle Ricette di Pittura del Trattato di Théodore Turquet de Mayerne”, La Diana, annuario della scuola di specializzazione in archeologia e storia dell´arte dell´universitá degli studi di Siena, vol. 1, pp. 147-180, 1995.
V
J. R. Gettens, Kuhn, H., and Chase, W. T., “Vermilion and cinnabar”, Studies in Conservation, vol. vol. 17, pp. 45-69, 1972.