Bibliography

Found 45 results
Author Title Type [ Year(Asc)]
Filters: First Letter Of Last Name is T  [Clear All Filters]
1934
D. V. Thompson, “The Study of Mediaeval craftmanship”, Bulletin of the Fogg Art Museum, vol. VIII, 1934.
D. V. Thompson, “Traktätchen, wie man Tinte und andere Farben bereiten soll, aus Ms Vat, Lat 598 (saec. XIII),”, Mitteilungen zur Geschichte der Medizin, der Naturwissenschaften und der Technik, vol. XXXIII, pp. 193-195, 1934.
1933
D. V. Thompson and Hamilton, G. H., An Anonymous Fourteenth-century Treatise : De Arte Illuminandi. The Technique of Manuscript Illumination. New Haven: , 1933.
D. V. Thompson, “Artificial Vermilion in the Middle Ages”, Technical Studies in the Field of the Fine Arts, vol. II, pp. 62-70, 1933.
D. V. Thompson, “The ‘Ricepte daffare piu colori’ of Ambruogio di Ser Pietro da Siena”, Archeion, vol. XV, pp. 339-347, 1933.
J. J. Tikkanen, Studien über die Farbgebung in der Mittelalterlichen Buchmalerei. Helsingfors: , 1933.
1932
D. V. Thompson, Cennino d’Andrea Cennini da Colle di Val d’Elsa. Il Libro dell’arte. New Haven: , 1932.
D. Varney Thompson, “The De Clarea of the so-called 'Anonymus Bernensis'.”, Technical Studies, vol. 1, pp. 8-19; 69-81, 1932.
D. V. Thompson, “The Schedula of Theophilus Presbyter”, Speculum, vol. VII, pp. 199-220, 1932.
1926
D. Varney Thompson, “Liber de coloribus illuminatorum sive pictorum from Sloane Ms. N. 1754.”, Speculum, vol. 1, pp. 280-307, 1926.
1912
A. Trotter, “On Varnishes as Vehicles and as Protections”, The Burlington Magazine, vol. 21, 113, pp. 272-278, 1912.
1910
E. Thoma, “Die Tegernseer Buchmalerei”, Diss. München, 1910.
1573
R. Tottel, A very proper treatise, wherein is briefly sett forthe the art of Limming, which teacheth the order in drawing & tracing of letters, vinets, flowers, armes and imagery..neuer out in printe before this time (1573). London: Richad Tottill, 1573.
0
D. V. Thompson, “De Coloribus Naturalia Exscripta et Collecta, from Erfurt, Stadtbücherei, MS. Amplonius Quarto 189 (XIII-XIV Century),”, Technical Studies in the Field of the Fine Arts, vol. n° 3, pp. 133-145.
W. F. Brinckman, Kockaert, L., Maes, L., Masschelein-Kleiner, L., Robaszynski, F., and Thielen, E., “Het Lam Godretabel van Van Eyck, een heronderzoek naar de materialen en schildermethoden, 1. De plamuur, de isolatielaag, de tekening en de grondtonen”, Bulletin de l’Institut Royal du Patrimoine Artistique, vol. XX, pp. 137-166.
A. P. Torresi, Il taccuino Antonelli : un recettario ferrerese del Quattrocento di tecnica artistica e fitoterapia. Ferrara: .
D. Varney Thompson, jr., The Materials and Techniques of Medieval Painting. New York (Reprint): .
D. V. Thompson, “Medieval Color-Making: Tractatus qualiter quilibet artificialis color fieri possit from Paris, B.N., Ms. latin 6749 b”, Isis, vol. 22, pp. 456-468.
D. Varney Thompson, jr., “Medieval Color-Making: Tractatus qualiter quilibet artificialis color fieri possit from Paris, B.N., Ms. latin 6749 b”, Isis, vol. 22, pp. 456-468.
A. P. Torresi, Tecnica artistica a Siena: Alcuni trattati e ricettari del Rinascimento nella Biblioteca degli Intronati. Ferrara: .