Bibliography

Found 602 results
Author Title [ Type(Desc)] Year
Journal Article
, 1999.
E. Darmstaedter, “Abhandlungen. Einsenhärtung mit pflanzen”, Geschichtsblätter für Technik, vol. 11,3, p. 163-, 1927.
A. Raft, “About Theophilus ‘Blue Color’ « Lazur »,”, Studies in Conservation, vol. 13, pp. 1-6, 1968.
W. J. Wilson, “An Alchemical Manuscript by Arnaldus de Bruxella”, Osiris, vol. 2, pp. 220-405, 1936.
L. Thorndike, “Alchemical Writings in Vatican Palatine and Certain Other Continental Latin Manuscripts”, Speculum, vol. XI, pp. 370-83, 1936.
B. Guineau, “Analyse non destructive des pigments par microsonde Raman laser : exemples de l’azurite et de la malachite”, Studies in Conservation, vol. 29, pp. 35-41, 1984.
M. Clarke, “The Analysis of medieval European manuscripts”, Reviews in Conservation, vol. 2, pp. 3-15, 2001.
R. Fuchs, “The analysis of plant dyes in medieval book illuminations”, Dyes in History and Archaeology, vol. 16, Submitted.
J. Stuart Beddie, “The ancient classics in the mediaeval librairies”, Speculum, vol. vol. 5, pp. 3-20, 1930.
, “Antimonium”, RE, vol. 1, 2, pp. col. 2435-2438, 1894.
W. L. Braekman, “Antwerpse ‘consten ende secreten voor verlichters en afsetters van gedrukte prenten”, VMKANTL, pp. 78-152, 1994.
D. W. Singer, “Appendix to Cambridge, Gonville and Caius College, Ms 181”, Isis, vol. XIII, pp. 5-15, 1930.
L. Kockaert and Verrier, M., “Application des colorations à l’identification des liants de Van Eyck”, Bulletin de l’Institut Royal du Patrimoine Artistique, vol. XVII, pp. 122-126.
M. De Reu and G. Hooydonck, V. & al., “À propos de l’analyse chimique des pigments utilisés dans quelques manuscrits enluminés”, Scriptorium, vol. 53, n°2, pp. 357-372, 1999.
A. Wallert, “Aquae conficiendae ad temperandos omnes colores: Manuscript in the Leiden University Library, Voss. Chym. Oct. 6.”, Technologiae artis, vol. 3, pp. 134-146, 1993.
W. Eamon, “Arcana disclosed: the advent of printing, the books of secrets tradition and the development of experimental science in the sixteenth century”, History of science, vol. no. 56; 22, pp. 111-150.
M. Kowalczyk, “Ars de omnibus coloribus”, Studia Mediewistyczne, vol. 18, pp. 165-174, 1977.
, “Arsenicum”, RE, vol. II, 1, pp. col. 1271-1272, 1895.
D. V. Thompson, “Artificial Vermilion in the Middle Ages”, Technical Studies in the Field of the Fine Arts, vol. II, pp. 62-70, 1933.
, “Atramentum”, RE, vol. II, 2, pp. col. 2135-2136, 1896.
C. Rötter, “Auripigment. Genauere Betrachtung eines historischen Farbmittels”, Restauro, vol. 109.6, pp. 408-413, 2003.
J. R. Gettens and Fitzhugh, E. W., “Azurite and blue verditer”, Studies in Conservation, vol. vol. 11, pp. 54-61, 1966.
S. - M. Alexander, “Base and noble Metals in Illumination”, Natural History, vol. n°74, pp. 31-39, 1965.
F. J. Mone, “Bereitung und Behandlung der Malerfarben in 15. Jahrhundert”, Freiburger Archiv, vol. 7, 1873.
F. J. Mone, “Bereitung und Behandlung der Malerfarben in 15. Jahrhundert”, Freiburger Archiv, vol. 7, 1873.