Bibliography

Found 602 results
Author Title [ Type(Desc)] Year
Journal Article
L. Kockaert, “Note sur les émulsions des Primitifs flamands”, Bulletin de l’Institut Royal du Patrimoine Artistique, vol. XIV, pp. 133-139.
, “Occurence of textile Red Dyes 1450-1600 AD”, American Dyestuff Reporter, vol. 65 (3), pp. 32-34, 1976.
R. Fuchs and Oltrogge, D., “Old Paint Formulae under Close Scrutiny. Saving Mediaeval Book Illuminations”, Reports of the DFG . German Research, vol. 3:91, pp. 24-26, Submitted.
S. Munoz Vinas, “Original written sources for the history of medieval painting techniques and materials : a list of published texts”, Studies in Conservation, vol. 43, pp. 114-124, 1998.
A. Wallert, “Orpiment und Realgar. Some pigment characteristics”, Maltechnik restauro, vol. 90, pp. 45-47, 1984.
L. Thorndike, “Other texts on colours.”, Ambix, vol. 8 (2), pp. 53-70, 1960.
A. Massing, “Painting materials and techniques. Towards a bibliography of the french literature before 1800”, Feitschrift in honour of Professor Straub, 1990.
S. Bergeon, “Painting Technique: Priming, Coloured Paint Film and Varnish”, Art History and Laboratory Scientific Examination of Easel Paintings., vol. Pact. 13, pp. 35-62, 1986.
S. Bucklow, “Paradigms and Pigment Recipes : Natural Ultramarine”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 14, pp. 5-14, 2000.
S. Bucklow, “Paradigms and Pigment Recipes : Silver and Mercury Blues”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 15, pp. 25-33, 2001.
S. Bucklow, “Paradigms and Pigment Recipes : Vermilion, Synthetic Yellows and the Nature of Egg”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 13, pp. 140-149, 1999.
D. Oltrogge, “Parchment, Painting, Script and Binding: Texts on the Techniques of Manuscript Production from Late Medieval Germany”, Care and Conservation of Manuscripts, vol. 5, pp. 78-87, Submitted.
G. - J. Aillaud, “Pastel et Indigo ou les origines du bleu”, Revue d´histoire de la pharmacie, vol. 78, pp. 13-20, 1990.
, “Pharmacy Price-lists as a new type of Documentary Source for Research into Historical Artists’Material: The Münchner Taxenprojekt”, Dyes in History and Archaeology, vol. 19, pp. 32-36, 2000.
F. Margival, “Pigments et peinture au Moyen Age”, Peinture, pigments, vernis, vol. 36, 1960.
A. P. Laurie, “Pigments, Mediums and Technical Methods of Classical and Mediaeval Painters”, Journal of Chemical Society, pp. 163-169, 1937.
M. Pastoureau, “Pour une histoire des couleurs”, Techne, La couleur et ses pigments, vol. n°1, pp. 6-8, 1996.
B. S. Hall, “Production et diffusion de certains traités de techniques au Moyen Age”, Cahiers d’études Médiévales, Les arts mécaniques au Moyen Age, vol. 7, pp. 147-170, 1982.
B. Bischoff, Waetzold, S., and H. Runge, R., “Quellengeschichtliche Untersuchungen zur “Schedula diversarum artium” des Theophilus”, Münchner Jahrbuch der bildenden Kunst, vol. 3e série, t. III-IV.
U. Schiessl, “Quellen zur Maltechnik des Mittelalters und der frühen Neuzeit”, Restauratorenblätter, vol. 18, pp. 31-41, 1998.
G. Keil, “Randnotizen zum "Stockholmer Arzneibuch".”, Studia Neophilologica (Journal of Germanic and Romance Philology), vol. 44, 2, pp. 239-262, 1972.
W. L. Braekman, “Recepten en pokkentraktaat uit een Middelnederlands handschrift”, Volkskunde, vol. 28, n°1-8, pp. 177-198, 1977.
P. Lefevre, “Recette pour la fabrication de l’encre au XVe siècle”, Archives et Bibliothèques de Belgique, vol. 3, 1926.
J. Burnam, “Recipes from codex Matritensis A 16 (ahora 19)”, University of Cincinnati Studies, vol. vol. 8, 1912.
M. Price, “A Renaissance of Color: Particle Separation and Preparation of Azurite for Use in Oil Painting”, Leonardo, vol. 33, pp. 281-288, 2000.