Bibliography

Found 602 results
Author Title Type [ Year(Desc)]
1927
L. Dimier, L’art d’enluminer. Traité du XIVe siècle traduit du latin avec des notes tirées d’autres ouvrages anciens et des commentaires. Paris: , 1927.
E. R. Caley, “The Stockholm Papyrus X”, Journal of Chemical Education, vol. IV, 1927.
1928
V. Gay, Glossaire archéologique du moyen age et de la Renaissance, vol. 2 vol. Paris: , 1928.
E. Darmstaedter, “Liber de claritatis totius alkimicae artis”, Archeion: Archivio di Storia Della Scienza, vol. IX, pp. 63-80, 1928.
E. Darmstaedter, “Liber de claritatis totius alkimicae artis”, Archeion: Archivio di Storia Della Scienza, vol. IX, pp. 63-80, 1928.
1929
K. C. Bailey, The Elder Pliny’s Chapters on chemical subjects, edited with translation and notes, vol. 2 tomes. London: , 1929.
D. W. Singer, “Michael Scot and Alchemy”, vol. XIII, pp. 5-15, 1929.
D. W. Singer, “Michael Scot and Alchemy”, Isis, vol. XIII, pp. 5-15, 1929.
H. Fischer, Mittelalterliche Pflanzenkunde. München: , 1929.
1930
J. Stuart Beddie, “The ancient classics in the mediaeval librairies”, Speculum, vol. vol. 5, pp. 3-20, 1930.
D. W. Singer, “Appendix to Cambridge, Gonville and Caius College, Ms 181”, Isis, vol. XIII, pp. 5-15, 1930.
A. P. Laurie, “The identification of pigments used in painting at different periods, with a brief account of other methods of examining pictures”, Analyst, pp. 162-179, 1930.
1931
, Catalogus Codicum manu scriptorum qui in Bibliotheca Canonicorum Regularum S. Augustini Claustroneoburgi asservantur. losterneuburg: , 1931.
V. P. Redlich, “Tegernsee und die deutsche Geistesgeschichte im 15. Jh.”, Schriftenreihe zur bayerischen Landesgeschichte, vol. 9, 1931.
1932
C. E. Power, The Art of Limming. 1932.
D. V. Thompson, Cennino d’Andrea Cennini da Colle di Val d’Elsa. Il Libro dell’arte. New Haven: , 1932.
H. Hedfors, Compositiones ad Tingenda Musiva. Uppsala: , 1932.
D. Varney Thompson, “The De Clarea of the so-called 'Anonymus Bernensis'.”, Technical Studies, vol. 1, pp. 8-19; 69-81, 1932.
D. V. Thompson, “The Schedula of Theophilus Presbyter”, Speculum, vol. VII, pp. 199-220, 1932.
1933
D. V. Thompson and Hamilton, G. H., An Anonymous Fourteenth-century Treatise : De Arte Illuminandi. The Technique of Manuscript Illumination. New Haven: , 1933.
D. V. Thompson, “Artificial Vermilion in the Middle Ages”, Technical Studies in the Field of the Fine Arts, vol. II, pp. 62-70, 1933.
J. R. Clemens, “Fifteenth century English recipes for the making of pigments”, Art and Archaeology, vol. 34, pp. 206-210, 1933.
D. V. Thompson, “The ‘Ricepte daffare piu colori’ of Ambruogio di Ser Pietro da Siena”, Archeion, vol. XV, pp. 339-347, 1933.
J. J. Tikkanen, Studien über die Farbgebung in der Mittelalterlichen Buchmalerei. Helsingfors: , 1933.
1934
M. Doerner, The Materials of the Artist and their Use in Painting. London: , 1934.