Bibliography

Found 601 results
[ Author(Asc)] Title Type Year
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M. Pastoureau, “Pour une histoire des teinturiers médiévaux”, Il colore nel medioevo, arte, simbolo, tecnica, atti delle Giornate di Studi, Lucca, 2,3,4 maggio 1996. Lucca, pp. 7-39, Submitted.
M. Pastoureau, Dictionnaire des couleurs de notre temps. Paris: , 1992.
M. Pastoureau, “Et puis vint le bleu”, Europe, vol. 654, pp. 43-50, 1983.
M. Pastoureau, “Du bleu au noir. Étiques et pratiques de la couleur à la fin du Moyen Age”, Médiévales, vol. t. 14, pp. 9-22, 1988.
M. Pastoureau, “Vers une histoire de la couleur bleue”, Sublime indigo, Actes du Colloque de Marseille, 1987, Fribourg. pp. 19-27, 1987.
O
G. Ovitt, The restoration of perfection: labor and technology in medieval culture. 1987.
M. V. Orna, Low, M. J. D., and Baer, N. S., “Synthetic blue Pigments : Ninth to Sixteenth Centuries. II. Silver Blue”, Studies in Conservation, vol. 30, pp. 155-160, 1985.
M. V. Orna, “Copper-based Synthetic Medieval Blue Pigments”, Archaeological Chemistry. Organic, Inorganic and Biochemical Analysis, pp. 107-115, 1996.
M. V. Orna, Low, M. J. D., and Baer, N. S., “Synthetic blue Pigments : Ninth to Sixteenth Centuries. I. Literature”, Studies in Conservation, vol. 25, pp. 53-63, 1980.
D. Oltrogge, “Konzeption und Ausführung: Maltechnische Untersuchungen des Stundenbuches”, in Das studenbuch der Sophia van Bylant, W. - R. Museum- Fo Corbaud Köln: , 2001, pp. 97-113.
D. Oltrogge, “Vera Trost, Gold - und silbertinten. Technologische Untersuchungen zur abendländischen Chrysographie und Argurographie von der Spätantike bis zum hohen Mittelalter”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 7, pp. 249-255, 1993.
D. Oltrogge, “Parchment, Painting, Script and Binding: Texts on the Techniques of Manuscript Production from Late Medieval Germany”, Care and Conservation of Manuscripts, vol. 5, pp. 78-87, Submitted.
D. Oltrogge, “The Cologne database for painting materials and reconstructions”, Art of the Past: Sources and Reconstructions. London, pp. 9-15, Submitted.
D. Oltrogge, ““Cum sesti et rigula”. L’organisation du savoir technologique dans le Liber Diversarium de Montpellier et dans le De Diversis Artibus de Theophile”, in Encyclopédies Médiévales. Discours et Savoirs, P. Universita Diderot 2004.
D. Oltrogge, “Recipes Books and Accounts. Some notes on the trade of manuscript materials in the Lower Rhineland and Westfalia around 1500”, in European Trade in Painter’s Materials. Hrsg von Jo Kirby, London: , 2005.
D. Oltrogge, Fuchs, R., and Michon, S., “Laubwerk - zur Texttradition einer Anleitung für Buchmaler aus dem 15. Jh.”, Würzburger medizinhistorische Mitteilungen, vol. 7, pp. 179-213, 1989.
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A. Novák, “Technological Recipes of Czech Alchemists”, Historical Sources, pp. 132-142, Submitted.
A. Novák, “"Hi sunt omnes colores". Text from the 12th century from the Library of St Peter's Monastery in Salzburg.”, Technologia artis, vol. 4, pp. 77-79, 1996.
A. Neri and Mentasti, R. Barovier, L´Arte Vetraria 1612 a cura di Rosa Barovier Mentasti, Edizioni il Polifilo. Milano: , 1980, p. 99.
A. Neri and Engle, P., L´arte vetraria: The Art of Glass by Antonio Neri, translated and annotated by Paul Engle, 1stst ed. Heiden & Engle, 2003.
J. Nadolny, “A problem of methodology : Merrifield, Eastlake and the use of oil-based media by medieval English painters”, Verger, I. (ed), ICOM-CC 14th Triennial Meeting Preprints. London, pp. 1028-33, Submitted.
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J. M. Muller and Murrell, J., Edward Norgate Miniatura or the Art of Limning. New Haven & London: Yale University Press, 1997.
C. Moretti and Toninato, T., Ricette vetrarie del Rinascimento, Trascrizione da un manoscritto anonimo veneziano. Venezia: , 2001, p. 125.
F. J. Mone, “Bereitung und Behandlung der Malerfarben in 15. Jahrhundert”, Freiburger Archiv, vol. 7, 1873.
J. Mone, “Eine Handschrift zu Strassburg”, Anzeigen für Kunde der Deutschen Vorzeit, vol. 4, 1835.