Bibliography

A. C. Esmeijer, “Cloudscape in theory and practice”, Simiolus, vol. n°3, 1977.

N. Engel, “Der Mittelalterliche und frühneuzeitliche Bergbau Wallerfangens nach den schriftlichen Quellen”, Unsere Heimat. Mitteilungsblatt des Landkreises Saarlouis für Kultur und Landschaft, vol. 21, 4, pp. 150-158, 1996.

F. Ellwanger-Eckel, “Herstellung und Verwendung künstlicher grüner und blauer kupferpigmente in des Malerei.”, Diplomarbeit am Institut für Technologie der Malerei an der Staatlichen Akademie der bildenden Kunste, Stuttgart, 1989.

A. Ellenius, De Arte Pingendi. Latin art literature in seventeenth-century Sweden an dits international background. Uppsala-Stockholm: , 1960.

H. Ekkehard, “Musivgold. Rekonstruktion eines historischen pigments”, Restauro, vol. 6, pp. 420-425, 2005.

C. Eggenberger, “Les manuscrits à peintures. Remarques et propositions”, Gazette du livre médiéval 1, pp. 13-15, 1982.

V. W. Egbert, The Mediaeval artist at work. Princeton: , 1967.

M. F. Edgerton, Jr., “A Mediaeval "Tractatus de coloribus". Together with a Contribution to the Study of the Color-vocabulary of Latin”, Mediaeval Studies, vol. 25, pp. 173-208, 1963.

S. M. Edelstein, “Dyestuffs and tanning leather in the XVth Century”, Dyestuff Reporter, vol. 54, pp. 940-944, 1965.

S. M. Edelstein, “[Dem Faksimile liegt die bei Peter Jordan in Mainz 1532 gedruckte Ausgabe zugrunde.]”, Technology & Culture, vol. 5, pp. 297-321, 1964.

S. M. Edelstein, “Dyestuffs and dyeing in the XVth Century”, Dyestuff Reporter, vol. 52, pp. 2-5, 1963.

G. Ebner and Schelz, D., Textilfärberei und Farbstoffe. Beispiele angewandter organischer Chemie. Berlin, Heidelberg: , 1989.

C. L. Eastlake, Materials for a History of Oil Painting. London: , 1847.

C. Lock Eastlake, Methods and Materials of Painting of the Great Schools and Masters. New York: Dover Publications, Inc., 1960.

W. Eamon, “Arcana disclosed: the advent of printing, the books of secrets tradition and the development of experimental science in the sixteenth century”, History of science, vol. no. 56; 22, pp. 111-150.

W. Eamon, “Studies on Medieval fachliteratur : proceedings of the special session on Medieval Fachlitertur of the Sixteenth International Congress on Medieval Studies”, Scripta : Mediaeval and Renaissance texts and studies, 1982.

W. Eamon, Science and the secrets of nature: books of secrets in medieval and early modern culture. 1994.

D. Smet E., “Uit het werkboek van de kalligraaf van de Abdij van Waarschoot”, Ons Meetjseland, vol. 9, pp. 19-21, 1976.