Bibliography

D. Smet E., “Uit het werkboek van de kalligraaf van de Abdij van Waarschoot”, Ons Meetjseland, vol. 9, pp. 19-21, 1976.

W. Eamon, “Studies on Medieval fachliteratur : proceedings of the special session on Medieval Fachlitertur of the Sixteenth International Congress on Medieval Studies”, Scripta : Mediaeval and Renaissance texts and studies, 1982.

W. Eamon, “Arcana disclosed: the advent of printing, the books of secrets tradition and the development of experimental science in the sixteenth century”, History of science, vol. no. 56; 22, pp. 111-150.

W. Eamon, Science and the secrets of nature: books of secrets in medieval and early modern culture. 1994.

C. Lock Eastlake, Methods and Materials of Painting of the Great Schools and Masters. New York: Dover Publications, Inc., 1960.

C. L. Eastlake, Materials for a History of Oil Painting. London: , 1847.

G. Ebner and Schelz, D., Textilfärberei und Farbstoffe. Beispiele angewandter organischer Chemie. Berlin, Heidelberg: , 1989.

S. M. Edelstein, “Dyestuffs and tanning leather in the XVth Century”, Dyestuff Reporter, vol. 54, pp. 940-944, 1965.

S. M. Edelstein, “[Dem Faksimile liegt die bei Peter Jordan in Mainz 1532 gedruckte Ausgabe zugrunde.]”, Technology & Culture, vol. 5, pp. 297-321, 1964.

S. M. Edelstein, “Dyestuffs and dyeing in the XVth Century”, Dyestuff Reporter, vol. 52, pp. 2-5, 1963.

M. F. Edgerton, Jr., “A Mediaeval "Tractatus de coloribus". Together with a Contribution to the Study of the Color-vocabulary of Latin”, Mediaeval Studies, vol. 25, pp. 173-208, 1963.

V. W. Egbert, The Mediaeval artist at work. Princeton: , 1967.

C. Eggenberger, “Les manuscrits à peintures. Remarques et propositions”, Gazette du livre médiéval 1, pp. 13-15, 1982.

H. Ekkehard, “Musivgold. Rekonstruktion eines historischen pigments”, Restauro, vol. 6, pp. 420-425, 2005.

A. Ellenius, De Arte Pingendi. Latin art literature in seventeenth-century Sweden an dits international background. Uppsala-Stockholm: , 1960.

F. Ellwanger-Eckel, “Herstellung und Verwendung künstlicher grüner und blauer kupferpigmente in des Malerei.”, Diplomarbeit am Institut für Technologie der Malerei an der Staatlichen Akademie der bildenden Kunste, Stuttgart, 1989.

N. Engel, “Der Mittelalterliche und frühneuzeitliche Bergbau Wallerfangens nach den schriftlichen Quellen”, Unsere Heimat. Mitteilungsblatt des Landkreises Saarlouis für Kultur und Landschaft, vol. 21, 4, pp. 150-158, 1996.

A. C. Esmeijer, “Cloudscape in theory and practice”, Simiolus, vol. n°3, 1977.