Bibliography

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G. Ovitt, The restoration of perfection: labor and technology in medieval culture. 1987.
M. V. Orna, “Copper-based Synthetic Medieval Blue Pigments”, Archaeological Chemistry. Organic, Inorganic and Biochemical Analysis, pp. 107-115, 1996.
M. V. Orna, Low, M. J. D., and Baer, N. S., “Synthetic blue Pigments : Ninth to Sixteenth Centuries. I. Literature”, Studies in Conservation, vol. 25, pp. 53-63, 1980.
M. V. Orna, Low, M. J. D., and Baer, N. S., “Synthetic blue Pigments : Ninth to Sixteenth Centuries. II. Silver Blue”, Studies in Conservation, vol. 30, pp. 155-160, 1985.
D. Oltrogge, “Recipes Books and Accounts. Some notes on the trade of manuscript materials in the Lower Rhineland and Westfalia around 1500”, in European Trade in Painter’s Materials. Hrsg von Jo Kirby, London: , 2005.
D. Oltrogge, ““Cum sesti et rigula”. L’organisation du savoir technologique dans le Liber Diversarium de Montpellier et dans le De Diversis Artibus de Theophile”, in Encyclopédies Médiévales. Discours et Savoirs, P. Universita Diderot 2004.
D. Oltrogge, “The Cologne database for painting materials and reconstructions”, Art of the Past: Sources and Reconstructions. London, pp. 9-15, Submitted.
D. Oltrogge, “Parchment, Painting, Script and Binding: Texts on the Techniques of Manuscript Production from Late Medieval Germany”, Care and Conservation of Manuscripts, vol. 5, pp. 78-87, Submitted.
D. Oltrogge, “Vera Trost, Gold - und silbertinten. Technologische Untersuchungen zur abendländischen Chrysographie und Argurographie von der Spätantike bis zum hohen Mittelalter”, Zeitschrift für Kunsttechnologie und Konservierung, vol. 7, pp. 249-255, 1993.
D. Oltrogge, “Konzeption und Ausführung: Maltechnische Untersuchungen des Stundenbuches”, in Das studenbuch der Sophia van Bylant, W. - R. Museum- Fo Corbaud Köln: , 2001, pp. 97-113.
D. Oltrogge, Fuchs, R., and Michon, S., “Laubwerk - zur Texttradition einer Anleitung für Buchmaler aus dem 15. Jh.”, Würzburger medizinhistorische Mitteilungen, vol. 7, pp. 179-213, 1989.