Bibliography

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C. Tenner, “Vleck uz dem gewant ze bringen. Ein bairisch-ostfränkisches Fleckreinigungs-Büchlein aus dem 15. Jh.Pharmazie und Geschichte.”, in Festschrift für Günter Kallinich zum 65. Geburtstag, Straubing: , 1978, pp. pp. 203-210.
E. Thoma, “Die Tegernseer Buchmalerei”, Diss. München, 1910.
D. V. Thompson, “Trial index of some unpublished sources for the history of mediaeval craftsmanship”, Speculum, vol. X, pp. 410-431, 1935.
D. V. Thompson, “The Study of Mediaeval craftmanship”, Bulletin of the Fogg Art Museum, vol. VIII, 1934.
D. V. Thompson, “The Schedula of Theophilus Presbyter”, Speculum, vol. VII, pp. 199-220, 1932.
D. V. Thompson, “Artificial Vermilion in the Middle Ages”, Technical Studies in the Field of the Fine Arts, vol. II, pp. 62-70, 1933.
D. V. Thompson, “Traktätchen, wie man Tinte und andere Farben bereiten soll, aus Ms Vat, Lat 598 (saec. XIII),”, Mitteilungen zur Geschichte der Medizin, der Naturwissenschaften und der Technik, vol. XXXIII, pp. 193-195, 1934.
D. V. Thompson, “The Liber magistri Petri de Sancto Audemaro de coloribus faciendis”, Technical Studies in the Field of the Fine Arts, vol. IV, pp. 28-33, 1935.
D. V. Thompson, The practice of tempera painting. Materials and Methods. New York: , 1936.
D. V. Thompson, Cennino d’Andrea Cennini da Colle di Val d’Elsa. Il Libro dell’arte. New Haven: , 1932.
D. V. Thompson, “De Coloribus Naturalia Exscripta et Collecta, from Erfurt, Stadtbücherei, MS. Amplonius Quarto 189 (XIII-XIV Century),”, Technical Studies in the Field of the Fine Arts, vol. n° 3, pp. 133-145.
D. V. Thompson and Hamilton, G. H., An Anonymous Fourteenth-century Treatise : De Arte Illuminandi. The Technique of Manuscript Illumination. New Haven: , 1933.
D. Varney Thompson, “Liber de coloribus illuminatorum sive pictorum from Sloane Ms. N. 1754.”, Speculum, vol. 1, pp. 280-307, 1926.
D. Varney Thompson, “The De Clarea of the so-called 'Anonymus Bernensis'.”, Technical Studies, vol. 1, pp. 8-19; 69-81, 1932.
D. Varney Thompson, jr., “Medieval Color-Making: Tractatus qualiter quilibet artificialis color fieri possit from Paris, B.N., Ms. latin 6749 b”, Isis, vol. 22, pp. 456-468.
D. Varney Thompson, jr., “More Medieval Color-Making: Tractatus de coloribus from Munich, Staatsbibliothek, Ms.Latin 444.”, Isis, vol. 68, pp. 382-396, 1936.
D. Varney Thompson, jr., The Materials and Techniques of Medieval Painting. New York (Reprint): .
D. V. Thompson, “Trial index for some unpublished sources concerning the history of mediaeval craftsmanship.”, Speculum, vol. X, pp. 410-431, 1935.
D. V. Thompson, “Medieval Color-Making: Tractatus qualiter quilibet artificialis color fieri possit from Paris, B.N., Ms. latin 6749 b”, Isis, vol. 22, pp. 456-468.
D. V. Thompson, The Craftsman’s Handbook. New Haven, 1933, Dover, New York, 1954.: , 1954.
D. V. Thompson, “The ‘Ricepte daffare piu colori’ of Ambruogio di Ser Pietro da Siena”, Archeion, vol. XV, pp. 339-347, 1933.
L. Thorndike and Kibre, F., A catalogue of incipits from mediaeval scientific writings in Latin, revised and augmented edition. Cambridge: The Mediaeval Academy of America, 1963.
L. Thorndike, “Some Medieval Texts on Colours”, Ambix, vol. 7 (1), pp. 1-24, 1959.
L. Thorndike, “Some Medieval Texts on Colours.”, Ambix, vol. 7 (1), pp. 1-24, 1959.
L. Thorndike, “Other texts on colours.”, Ambix, vol. 8 (2), pp. 53-70, 1960.