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A. Wallert, Orpiment und Realgar. Some pigment characteristics, Maltechnik restauro, vol. 90, pp. 45-47, 1984.
A. Wallert, Aquae conficiendae ad temperandos omnes colores: Manuscript in the Leiden University Library, Voss. Chym. Oct. 6., Technologiae artis, vol. 3, pp. 134-146, 1993.
A. Wallert, Hermens, E., and Peek, M. (ed.), Libro Secondo de Diversi Colori e Sise da Mettere a Oro: A fifteenth-Century Technical Treatise on Manuscript Illumination, in Historical Painting Techniques, Materials, and Studio Practice, Preprints of a Symposium, University of Leiden, The Netherlands, 26-29 june 1995, T. Getty Cons Institute 1995.
A. Wallert, Natural Organic Colorants on Mediaeval Parchment: Anthocyanins., ICOM Comitee for Conservation. 10th Triennial Meeting. Preprints., vol. 2. Washington, pp. 516-523, Submitted.
A. Wallert, Verzino and Roseta Colours in 15th Century Italian Manuscripts, Maltechnik restauro, vol. 92.3, pp. 141-155, 1986.