Bibliography

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O. Wächter, De Viridi. Destruktive und unschädliche grüne Kupferpigmente in der Buchmalerei, Biblos, vol. 30. pp. 270-284, Submitted.
S. Waetzoldt, Systematisches verzeichnis der Farbnamen, Münchner Jahrbuch der Bildenden Kunst, pp. 6-14.
A. Wallert, Orpiment und Realgar. Some pigment characteristics, Maltechnik restauro, vol. 90, pp. 45-47, 1984.
A. Wallert, Aquae conficiendae ad temperandos omnes colores: Manuscript in the Leiden University Library, Voss. Chym. Oct. 6., Technologiae artis, vol. 3, pp. 134-146, 1993.
A. Wallert, Hermens, E., and Peek, M. (ed.), Libro Secondo de Diversi Colori e Sise da Mettere a Oro: A fifteenth-Century Technical Treatise on Manuscript Illumination, in Historical Painting Techniques, Materials, and Studio Practice, Preprints of a Symposium, University of Leiden, The Netherlands, 26-29 june 1995, T. Getty Cons Institute 1995.
A. Wallert, Wie man im Mitellealter Blaupigmente herstellte, Restauro, vol. 1, pp. 13-17, 1991.
A. Wallert, Verzino and Roseta Colours in 15th Century Italian Manuscripts, Maltechnik restauro, vol. 92.3, pp. 141-155, 1986.
A. Wallert, Chrozophora tinctoria Juss.: problems in identifying an illumination colorant, Restaurator, vol. 11, pp. 141-55, 1990.
A. Wallert, Instructions for Manuscripts Illumination in a 15th Century Netherlandisch Technical Treatise, Acta of the Congress on Medieval Manuscript Illumination in the Northern Netherlands, University of Utrecht, 10-13 December, 1989. pp. 447-456, Submitted.
A. Wallert, Natural Organic Colorants on Mediaeval Parchment: Anthocyanins., ICOM Comitee for Conservation. 10th Triennial Meeting. Preprints., vol. 2. Washington, pp. 516-523, Submitted.
W. Ward, The Secrets of the reverend Maister Alexis of Piemont, containing excellent remedies against diverse deseases, wounds, and other accidents, with the maner to make Distillations, Parfumes, Confitures, Dyings, Colours, Fusions, and Meltings. London: Peter Shon, 1595.
W. L. Wardale, A Low German-Latin Miscellany of the Early Fourteenth Century, Niederdeutsche Mitteilungen, vol. 8, pp. 5-22, 1952.
J. - F. Watin, Der Staffirmaler, oder die Kunst anzustreichen, zu vergolden und zu lackiren, wie solche bey Gebäuden, Meublen, Galanterienwaaren, Kutschen u.s.w. auf die beste, leichteste und einfachste Art anzuwenden ist., First german edition. Leipzig: Verlag Siegfried Lebrecht Crusius, 1774, p. 336.
J. - F. Watin, Seconde édition revue, corrigée & considérablement augmentée., Second. Grangé, imprimeur-libraire, au Cabinet Littéraire, Pont Notre-Dame, 1774, p. 356.
M. A. Way, Mappae Clavicula : a treatise on the preparation of pigments during the Middle Ages, Archaeologia, vol. XXXII, 1847.
K. Wessely, Chrysographie, Wiener Studien : Zeitschrift für classische Philologie, vol. 12, pp. 259-279, 1889.
R. White, Brown and Black organic Glazes, Pigments and Paints, National Gallery Technical Bulletin, vol. 10, pp. 58-61, 1986.
W. Askew Whitney, Van Eyck. La lumière et la couleur. La technologie et les techniques picturales à la cour de Bourgogne au XVe siècle, Université de Paris I –Panthéon-Sorbonne (UFR 03- Histoire de l’Art et Archéologie), thèse de doctorat inédite, 1995.
W. J. Wilson, Catalogue of Latin and Vernacular Alchemical Manuscripts in the United States and Canada, Osiris, vol. 6, 1939.
W. J. Wilson, An Alchemical Manuscript by Arnaldus de Bruxella, Osiris, vol. 2, pp. 220-405, 1936.
H. Wiswe, Mittelalterliche Rezepte zur Färberei und zur Herstellung von Farbe und Fleckenwasser., Niederdeutsches Jahrbuch, vol. 81, pp. 49-58, 1958.
K. P. Withley, The History and Technique of Manuscript gilding. 2000.
G. Wöhrle, Aristoteles De Coloribus übersetzt und erläutert von Georg Wöhrle, in Aristoteles Werke in deutscher Übersetzung, Wissenschaftliche Buchgesellschaft Darmstadt., vol. Band 18 Opuscola Teil V, Hvon Hellmu Flashar Darmstadt: Akademie Verlag Berlin, 1999.
C. Graf zu Wa Wolfegg, Das Mittelalterliche Hausbuch. Faksimile und Kommentar. München: , 1997.
C. Graf zu Wa Wolfegg, Das Mittelalterliche Hausbuch. Faksimile und Kommentar. München: , 1997.