Bibliography

Found 45 results
Author [ Title(Desc)] Type Year
Filters: First Letter Of Last Name is T  [Clear All Filters]
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 
A
L. Thorndike, “Alchemical Writings in Vatican Palatine and Certain Other Continental Latin Manuscripts”, Speculum, vol. XI, pp. 370-83, 1936.
D. V. Thompson and Hamilton, G. H., An Anonymous Fourteenth-century Treatise : De Arte Illuminandi. The Technique of Manuscript Illumination. New Haven: , 1933.
D. V. Thompson, “Artificial Vermilion in the Middle Ages”, Technical Studies in the Field of the Fine Arts, vol. II, pp. 62-70, 1933.
M. Clarke, Townsend, J. H., and Stijnman, A. (eds), “Art of the Past: Sources and Reconstructions”. Submitted.
S. Kroustallis, Townsend, J. H., E. Bruquetas, C., Stijnman, A., and M. Moya, S. Andres, “Art Technology. Sources and Methods”. Submitted.
C
L. Thorndike and Kibre, F., A catalogue of incipits from mediaeval scientific writings in Latin, revised and augmented edition. Cambridge: The Mediaeval Academy of America, 1963.
D. V. Thompson, Cennino d’Andrea Cennini da Colle di Val d’Elsa. Il Libro dell’arte. New Haven: , 1932.
D. V. Thompson, The Craftsman’s Handbook. New Haven, 1933, Dover, New York, 1954.: , 1954.
D
D. Varney Thompson, “The De Clarea of the so-called 'Anonymus Bernensis'.”, Technical Studies, vol. 1, pp. 8-19; 69-81, 1932.
D. V. Thompson, “De Coloribus Naturalia Exscripta et Collecta, from Erfurt, Stadtbücherei, MS. Amplonius Quarto 189 (XIII-XIV Century),”, Technical Studies in the Field of the Fine Arts, vol. n° 3, pp. 133-145.
E. Thoma, “Die Tegernseer Buchmalerei”, Diss. München, 1910.
F
A. P. Torresi, A far littere de oro. Ferrara: , 1992.
G
V. Trost, Gold –und Silbertinten : technologische Untersuschungen zur abendländischen Chrysographie und Argyrographie von der Spätanike bis zum hohen Mittelalter. Wiesbaden: , 1991.
H
W. F. Brinckman, Kockaert, L., Maes, L., Masschelein-Kleiner, L., Robaszynski, F., and Thielen, E., “Het Lam Godretabel van Van Eyck, een heronderzoek naar de materialen en schildermethoden, 1. De plamuur, de isolatielaag, de tekening en de grondtonen”, Bulletin de l’Institut Royal du Patrimoine Artistique, vol. XX, pp. 137-166.
I
A. P. Torresi, Il taccuino Antonelli : un recettario ferrerese del Quattrocento di tecnica artistica e fitoterapia. Ferrara: .
F. Toliani, “Incipit scripta colorum, un trattato contenuto nel ms. 1075 della Biblioteca Statale di Lucca”, Critica d’Arte, vol. LVIII (3), pp. 47-56, 1995.
L
D. Cardon, “La preuve par l’expérience dans les techniques médiévales de teinturerie”, Les procédures de preuve, de validation et d’évaluation dans les sciences et les techniques. Une approche historique. Actes du colloque de Lille, pp. 303-310, 1992.
P. Coremans, Gettens, R. J., and Thissen, J., “La technique des Primitifs flamands. Etude scientifique des matériaux, de la structure et de la technique picturale”, Studies in Conservation, vol. I, pp. 1-29, 1952.
C. Bourlet, L’écriture dans la société médiévale. Paris: , 1993.
D. Varney Thompson, “Liber de coloribus illuminatorum sive pictorum from Sloane Ms. N. 1754.”, Speculum, vol. 1, pp. 280-307, 1926.
D. V. Thompson, “The Liber magistri Petri de Sancto Audemaro de coloribus faciendis”, Technical Studies in the Field of the Fine Arts, vol. IV, pp. 28-33, 1935.
M
D. Varney Thompson, jr., The Materials and Techniques of Medieval Painting. New York (Reprint): .
D. Varney Thompson, jr., “Medieval Color-Making: Tractatus qualiter quilibet artificialis color fieri possit from Paris, B.N., Ms. latin 6749 b”, Isis, vol. 22, pp. 456-468.
D. V. Thompson, “Medieval Color-Making: Tractatus qualiter quilibet artificialis color fieri possit from Paris, B.N., Ms. latin 6749 b”, Isis, vol. 22, pp. 456-468.
V. Trost, “Metalltintenrezepte aus der Hs. Aa20 der Hessischen Landesbibliothek Fulda.”, in Diversarum Artium Studia. Festschrift für Heinz Roosen-Runge., Wiesbaden: , 1982, pp. 185-193.