History of technique in the arts, 1500-1950
Bibliography
Found 30 results
Author Title [ Type
] Year Filters: First Letter Of Last Name is G [Clear All Filters]
, “Women’s Medical Practice and Health care in Medieval Europe”, Journal of Women in Culture and Society, vol. 14.2, 1989.
, “Vermilion and cinnabar”, Studies in Conservation, vol. vol. 17, pp. 45-69, 1972.
, “Studien zur Geschichte der Mineralnamen in Pharmazie, Chemie und Medizin von den Anfängen bis Paracelsus.”, Sudhoffs Archiv, 1972.
, “Malachite and green verditer”, Studies in Conservation, vol. vol. 19, n°1, pp. 2-23, 1974.
, “Lead White”, Studies in Conservation, vol. vol.12, pp. 125-139, 1967.
, “La technique des Primitifs flamands. Etude scientifique des matériaux, de la structure et de la technique picturale”, Studies in Conservation, vol. I, pp. 1-29, 1952.
, “Lapis Lazuli and ultramarine in ancient times”, Alumni, vol. 19, pp. 342-357, 1950.
, “Identification of pigments in a fourteenth-century miniature by combined micro-raman and PIXE spectroscopic techniques”, Studies in Conservation, vol. 42, pp. 83-92, 1997.
, “Grünspan. Ein bedeutsames Pigment für das Scriptorium des Mittelalters”, Naturwissenschaftliche Rundschau, vol. 46, pp. 222-227, 1993.
, “Etude de recettes et d'indications de couleurs relevées sur un manuscrit d'Adémar de Chabannes (Leiden, Voss. lat. O 15) : l'exemple de la couleur gladius”, Scriptorium, vol. LX, n° 1, pp. p. 80-95, 2006.
, “Ein unbekanntes Bruchstück der Mappae Clavicula aus dem Anfang des 9. Jhs.”, Mitt. Gesch. Med. Naturwiss. Technik, vol. 40, 1, pp. 336-349 (Reprint).
, “Die Alchemie in Mittelalter”, Mitt. Gesch. Med. Naturwiss. Technik, 1967.
, “The de Coloribus and Its Author”, Hermes, vol. 92. Bd. H. 1, pp. 59-85, 1964.
, “Azurite and blue verditer”, Studies in Conservation, vol. vol. 11, pp. 54-61, 1966.
, “Analyse non destructive des pigments par microsonde Raman laser : exemples de l’azurite et de la malachite”, Studies in Conservation, vol. 29, pp. 35-41, 1984.
, “Pigments et colorants de l’Antiquité au Moyen Age. Teinture, peinture, enluminure. Etudes historiques et physico-chimiques”. Paris, Submitted.
, “Painting techniques in the Boucicaut Hours and in Jacques Coene’s colour recipes as found in Jean Lebègue’s Libri Colorum”, ROY, A. et SMITH, P. (éd.), Painting Techniques : History, Materials and Studio Practice. Contributions to the Dublin Congress 7-11 September 1998. London, pp. 51-54, Submitted.
, “A Literature search for a pigment study”, International Council of Museums, Committe for Conservation. Paris, Submitted.
, “L’apport des mesures colorimétriques aux études historiques et archéologiques”, Junid, Ph. et Pastoureau, M., La couleur. Regards croisés sur la couleur du moyen äge au XXe siècle, Actes du colloque organisé à l’Université de Lausanne, 25-27 juin 1992. Paris, pp. 115-137, Submitted.
, “A Bibliography of Mediaeval Painting Treatises”, Making the Mediaeval Book : Techniques of Production, Proceedings of the 4th Conference of the Seminar in the History of the Book to 1500 Oxford, Juillet, 1992. London, pp. 241-244, Submitted.
, “Tafel- und Wandmalerei in München im 15. Jahrhundert”, in Münchner Gotik im Freisinger Diözesanmuseum, Regensburg: , 1999, pp. 69-100.
, Painting Materials. A Short Encyclopaedia. New York: .
, Lehrbuch der Farbenfabrikation. Braunschweig: .
, La peinture dans la peinture. Dijon: , 1982.