Bibliography

Found 45 results
Author Title [ Type(Asc)] Year
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Thesis
E. Thoma, “Die Tegernseer Buchmalerei”, Diss. München, 1910.
Journal Article
A. Trotter, “On Varnishes as Vehicles and as Protections”, The Burlington Magazine, vol. 21, 113, pp. 272-278, 1912.
D. V. Thompson, “Trial index of some unpublished sources for the history of mediaeval craftsmanship”, Speculum, vol. X, pp. 410-431, 1935.
D. V. Thompson, “Trial index for some unpublished sources concerning the history of mediaeval craftsmanship.”, Speculum, vol. X, pp. 410-431, 1935.
D. V. Thompson, “Traktätchen, wie man Tinte und andere Farben bereiten soll, aus Ms Vat, Lat 598 (saec. XIII),”, Mitteilungen zur Geschichte der Medizin, der Naturwissenschaften und der Technik, vol. XXXIII, pp. 193-195, 1934.
D. V. Thompson, “The Study of Mediaeval craftmanship”, Bulletin of the Fogg Art Museum, vol. VIII, 1934.
L. Thorndike, “Some Medieval Texts on Colours.”, Ambix, vol. 7 (1), pp. 1-24, 1959.
L. Thorndike, “Some Medieval Texts on Colours”, Ambix, vol. 7 (1), pp. 1-24, 1959.
D. V. Thompson, “The Schedula of Theophilus Presbyter”, Speculum, vol. VII, pp. 199-220, 1932.
D. V. Thompson, “The ‘Ricepte daffare piu colori’ of Ambruogio di Ser Pietro da Siena”, Archeion, vol. XV, pp. 339-347, 1933.
L. Thorndike, “Other texts on colours.”, Ambix, vol. 8 (2), pp. 53-70, 1960.
D. Varney Thompson, jr., “More Medieval Color-Making: Tractatus de coloribus from Munich, Staatsbibliothek, Ms.Latin 444.”, Isis, vol. 68, pp. 382-396, 1936.
D. Varney Thompson, jr., “Medieval Color-Making: Tractatus qualiter quilibet artificialis color fieri possit from Paris, B.N., Ms. latin 6749 b”, Isis, vol. 22, pp. 456-468.
D. V. Thompson, “Medieval Color-Making: Tractatus qualiter quilibet artificialis color fieri possit from Paris, B.N., Ms. latin 6749 b”, Isis, vol. 22, pp. 456-468.
D. V. Thompson, “The Liber magistri Petri de Sancto Audemaro de coloribus faciendis”, Technical Studies in the Field of the Fine Arts, vol. IV, pp. 28-33, 1935.
D. Varney Thompson, “Liber de coloribus illuminatorum sive pictorum from Sloane Ms. N. 1754.”, Speculum, vol. 1, pp. 280-307, 1926.
P. Coremans, Gettens, R. J., and Thissen, J., “La technique des Primitifs flamands. Etude scientifique des matériaux, de la structure et de la technique picturale”, Studies in Conservation, vol. I, pp. 1-29, 1952.
D. Cardon, “La preuve par l’expérience dans les techniques médiévales de teinturerie”, Les procédures de preuve, de validation et d’évaluation dans les sciences et les techniques. Une approche historique. Actes du colloque de Lille, pp. 303-310, 1992.
F. Toliani, “Incipit scripta colorum, un trattato contenuto nel ms. 1075 della Biblioteca Statale di Lucca”, Critica d’Arte, vol. LVIII (3), pp. 47-56, 1995.
W. F. Brinckman, Kockaert, L., Maes, L., Masschelein-Kleiner, L., Robaszynski, F., and Thielen, E., “Het Lam Godretabel van Van Eyck, een heronderzoek naar de materialen en schildermethoden, 1. De plamuur, de isolatielaag, de tekening en de grondtonen”, Bulletin de l’Institut Royal du Patrimoine Artistique, vol. XX, pp. 137-166.
D. V. Thompson, “De Coloribus Naturalia Exscripta et Collecta, from Erfurt, Stadtbücherei, MS. Amplonius Quarto 189 (XIII-XIV Century),”, Technical Studies in the Field of the Fine Arts, vol. n° 3, pp. 133-145.
D. Varney Thompson, “The De Clarea of the so-called 'Anonymus Bernensis'.”, Technical Studies, vol. 1, pp. 8-19; 69-81, 1932.
D. V. Thompson, “Artificial Vermilion in the Middle Ages”, Technical Studies in the Field of the Fine Arts, vol. II, pp. 62-70, 1933.
L. Thorndike, “Alchemical Writings in Vatican Palatine and Certain Other Continental Latin Manuscripts”, Speculum, vol. XI, pp. 370-83, 1936.
Conference Proceedings
N. Turner, “The Recipe Collection of Johannes Alcherius and the Painting Materials used in Manuscript Illumination in France and Nothern Italy ca 1380-1420”, Painting Techniques : History, Materials and Studio Techniques, Proceeding of the IIC Dublin Congress, 7-11 December. Submitted.