Bibliography

Found 45 results
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D. V. Thompson, “De Coloribus Naturalia Exscripta et Collecta, from Erfurt, Stadtbücherei, MS. Amplonius Quarto 189 (XIII-XIV Century),”, Technical Studies in the Field of the Fine Arts, vol. n° 3, pp. 133-145.
W. F. Brinckman, Kockaert, L., Maes, L., Masschelein-Kleiner, L., Robaszynski, F., and Thielen, E., “Het Lam Godretabel van Van Eyck, een heronderzoek naar de materialen en schildermethoden, 1. De plamuur, de isolatielaag, de tekening en de grondtonen”, Bulletin de l’Institut Royal du Patrimoine Artistique, vol. XX, pp. 137-166.
A. P. Torresi, Il taccuino Antonelli : un recettario ferrerese del Quattrocento di tecnica artistica e fitoterapia. Ferrara: .
D. Varney Thompson, jr., The Materials and Techniques of Medieval Painting. New York (Reprint): .
D. Varney Thompson, jr., “Medieval Color-Making: Tractatus qualiter quilibet artificialis color fieri possit from Paris, B.N., Ms. latin 6749 b”, Isis, vol. 22, pp. 456-468.
D. V. Thompson, “Medieval Color-Making: Tractatus qualiter quilibet artificialis color fieri possit from Paris, B.N., Ms. latin 6749 b”, Isis, vol. 22, pp. 456-468.
A. P. Torresi, Tecnica artistica a Siena: Alcuni trattati e ricettari del Rinascimento nella Biblioteca degli Intronati. Ferrara: .
1573
R. Tottel, A very proper treatise, wherein is briefly sett forthe the art of Limming, which teacheth the order in drawing & tracing of letters, vinets, flowers, armes and imagery..neuer out in printe before this time (1573). London: Richad Tottill, 1573.
1910
E. Thoma, “Die Tegernseer Buchmalerei”, Diss. München, 1910.
1912
A. Trotter, “On Varnishes as Vehicles and as Protections”, The Burlington Magazine, vol. 21, 113, pp. 272-278, 1912.
1926
D. Varney Thompson, “Liber de coloribus illuminatorum sive pictorum from Sloane Ms. N. 1754.”, Speculum, vol. 1, pp. 280-307, 1926.
1932
D. V. Thompson, Cennino d’Andrea Cennini da Colle di Val d’Elsa. Il Libro dell’arte. New Haven: , 1932.
D. Varney Thompson, “The De Clarea of the so-called 'Anonymus Bernensis'.”, Technical Studies, vol. 1, pp. 8-19; 69-81, 1932.
D. V. Thompson, “The Schedula of Theophilus Presbyter”, Speculum, vol. VII, pp. 199-220, 1932.
1933
D. V. Thompson and Hamilton, G. H., An Anonymous Fourteenth-century Treatise : De Arte Illuminandi. The Technique of Manuscript Illumination. New Haven: , 1933.
D. V. Thompson, “Artificial Vermilion in the Middle Ages”, Technical Studies in the Field of the Fine Arts, vol. II, pp. 62-70, 1933.
D. V. Thompson, “The ‘Ricepte daffare piu colori’ of Ambruogio di Ser Pietro da Siena”, Archeion, vol. XV, pp. 339-347, 1933.
J. J. Tikkanen, Studien über die Farbgebung in der Mittelalterlichen Buchmalerei. Helsingfors: , 1933.
1934
D. V. Thompson, “The Study of Mediaeval craftmanship”, Bulletin of the Fogg Art Museum, vol. VIII, 1934.
D. V. Thompson, “Traktätchen, wie man Tinte und andere Farben bereiten soll, aus Ms Vat, Lat 598 (saec. XIII),”, Mitteilungen zur Geschichte der Medizin, der Naturwissenschaften und der Technik, vol. XXXIII, pp. 193-195, 1934.
1935
D. V. Thompson, “The Liber magistri Petri de Sancto Audemaro de coloribus faciendis”, Technical Studies in the Field of the Fine Arts, vol. IV, pp. 28-33, 1935.
D. V. Thompson, “Trial index for some unpublished sources concerning the history of mediaeval craftsmanship.”, Speculum, vol. X, pp. 410-431, 1935.
D. V. Thompson, “Trial index of some unpublished sources for the history of mediaeval craftsmanship”, Speculum, vol. X, pp. 410-431, 1935.
1936
L. Thorndike, “Alchemical Writings in Vatican Palatine and Certain Other Continental Latin Manuscripts”, Speculum, vol. XI, pp. 370-83, 1936.
D. Varney Thompson, jr., “More Medieval Color-Making: Tractatus de coloribus from Munich, Staatsbibliothek, Ms.Latin 444.”, Isis, vol. 68, pp. 382-396, 1936.